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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Coyote Campsite (Sitio de campamiento de coyotes), from the portfolio Borders and Belonging by Susan Harbage Page, Image 1.

    Susan Harbage Page

    Coyote Campsite (Sitio de campamiento de coyotes), from the portfolio Borders and Belonging, 2008

    Color inkjet print on cotton rag paper

    17 x 22 in (43.18 x 55.88 cm)

  2. Untitled (Davidson Print ii) by Robert Lazzarini, Image 1.

    Robert Lazzarini

    Untitled (Davidson Print ii), 2006

    Hand-colored woodcut on Zerkall Book Smooth paper

    12 x 9.5 in (30.48 x 24.13 cm)

  3. Time Yur Not My Friend, 2000 by Gene Merritt, Image 1.

    Gene Merritt

    Time Yur Not My Friend, 2000, 2000

    Ink on paper

    11 x 8.25 in (27.94 x 20.96 cm)

  4. Drum Serenade by Karin Batten, Image 1.

    Karin Batten

    Drum Serenade, 1992

    Acrylic on canvas

    36.25 x 38 in (92.08 x 96.52 cm)

  5. Feather Watch by Richard Black, Image 1.

    Richard Black

    Feather Watch, 1983

    Lithograph on paper

    15.125 x 9.75 in (38.42 x 24.77 cm)

  6. Untitled by Doug Warner, Image 1.

    Doug Warner

    Untitled, 1978

    Lithograph on paper

    15 x 15 in (38.1 x 38.1 cm)

  7. Expo by Max Bill, Image 1.

    Max Bill

    Expo, 1975

    Lithograph on paper

    21.125 x 21.125 in (53.66 x 53.66 cm)

  8. Fish and Faces with Geometric Border by Martin Rosenthal, Image 1.

    Martin Rosenthal

    Fish and Faces with Geometric Border, 1972

    Oil on canvas

    50.5 x 64 in (128.27 x 162.56 cm)

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About the artist

Robert Mangold

American

b. 1937

Robert Mangold is an American artist known for his contribution to Minimalism and his focus on the fundamentals of formal construction in painting, sculpture, and drawing. His shaped panel paintings use subtle modulations of color and precise graphite lines to confront the viewer with a difficult, yet meditative experience. “My belief about painting is that it’s the most difficult art to grasp,” Mangold once told BOMB magazine. “And abstract painting makes it even more difficult, because the person walking in off the street doesn’t have a place to grab hold of…if you come into a room where there’s an installation or a sculpture, you know to walk around it, it exists in your space with you; there’s no way to kill time in front of a painting.” Born on October 12, 1937 in North Tonawanda, NY, he went on to study first at the Cleveland Institute of Art, then the Yale School of Art where he received his MFA in 1963. Mangold’s work can be found in the collections of the Art Institute of Chicago, the Solomon R. Guggenheim Museum in New York, the Los Angeles County Museum of Art, the Tate Gallery in London, and the Kunstmuseum Basel, among others. He lives and works in New York with his wife and fellow painter Sylvia Plimack Mangold.