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John Andrew MacMahon, Class of 1995 Collection

Over the last several years, John has been one of the most consistent and consequential donors of photography to Davidson’s collection. A resident of Los Angeles, John works as a portfolio manager with Lorien Energy Advisors. He currently serves alma mater as a member of the Art Collection Advisory Committee and the Board of Visitors and previously served on reunion planning and campaign fundraising committees. In addition to significant gifts of contemporary photography and other works to the collection, in 2019, John donated "Walking See Flower," a sculpture by James Surls and which is installed outside of Vail Commons. 

Artwork in John Andrew MacMahon, Class of 1995 Collection

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  1. FULLMOON@ARONDINE by Darren Almond, Image 1.

    Darren Almond

    FULLMOON@ARONDINE, 2001

    Chromogenic print on aluminum

    47.625 x 47.625 in (120.97 x 120.97 cm)

  2. FULLMOON@NIKKO by Darren Almond, Image 1.

    Darren Almond

    FULLMOON@NIKKO, 2006

    Chromogenic print on aluminum

    47.75 x 47.75 in (121.29 x 121.29 cm)

  3. Förderturm Zeche, Waltrop, Germany by Bernd & Hilla Becher, Image 2.

    Bernd & Hilla Becher

    Förderturm Zeche, Waltrop, Germany, 1982, printed 2009

    Digital pigment print

    12.5 x 49.25 in (31.75 x 125.1 cm)

  4. Night Movie by Julie Blackmon, Image 1.

    Julie Blackmon

    Night Movie, 2011

    Archival pigment print

    19 x 16 in (48.26 x 40.64 cm)

  5. Untitled by Lee Bontecou, Image 1.

    Lee Bontecou

    Untitled, 1973

    Lithograph on paper

    8.75 x 8.75 in (22.23 x 22.23 cm)

  6. Gray's Lake, ID 7, from Lakes and Reservoirs series by Matthew Brandt, Image 1.

    Matthew Brandt

    Gray's Lake, ID 7, from Lakes and Reservoirs series, 2013

    Unique Chromogenic print soaked in Gray's Lake water

    72 x 105 in (182.88 x 266.7 cm)

  7. Roots of War in Popular Song (forest of no return) by David Byrne, Image 1.

    David Byrne

    Roots of War in Popular Song (forest of no return), 2010

    Archival pigment print

    11 x 13.75 in (27.94 x 34.93 cm)

  8. The Gates, Project for Central Park, VIII, New York City by Christo & Jeanne-Claude, Image 2.

    Christo & Jeanne-Claude

    The Gates, Project for Central Park, VIII, New York City, 2003

    Offset-lithograph in colors on wove paper

    39.375 x 27.5 in (100.01 x 69.85 cm)

  9. The Triple Vision Flattened Fantasy, from the series Disbanding of Michelle duBois by Zoe Crosher, Image 1.

    Zoe Crosher

    The Triple Vision Flattened Fantasy, from the series Disbanding of Michelle duBois, c. 2012

    Archival pigment print

    13.875 x 20 in (35.24 x 50.8 cm)

  10. Untitled (Plate 2) by Jean Dewasne, Image 1.

    Jean Dewasne

    Untitled (Plate 2), 1972

    Serigraph on aluminum

    24.75 x 43.5 in (62.87 x 110.49 cm)

  11. Panoptican, Isla de Pinos / Isla de la Juventud by Stan Douglas, Image 1.

    Stan Douglas

    Panoptican, Isla de Pinos / Isla de la Juventud, 2005

    C-Print mounted on 1/4 inch honeycomb aluminum

    49.25 x 79.25 x 2.25 in (125.1 x 201.3 x 5.72 cm)

  12. Bullet through Candle Flame by Harold Edgerton, Image 2.

    Harold Edgerton

    Bullet through Candle Flame, 1973, unknown print date

    Dye transfer print

    20 x 16 in (50.8 x 40.64 cm)

  13. Black Cadillac, Batiste House, Pictures from Eve's Bayou by William Eggleston, Image 1.

    William Eggleston

    Black Cadillac, Batiste House, Pictures from Eve's Bayou, 1998

    Dye transfer print

    20 x 16 in (50.8 x 40.64 cm)

  14. Blue Cars, King's Bar, Pictures from Eve's Bayou by William Eggleston, Image 1.

    William Eggleston

    Blue Cars, King's Bar, Pictures from Eve's Bayou, 1998

    Dye transfer print

    20 x 16 in (50.8 x 40.64 cm)

  15. Debbie's Hand, Batiste House, Pictures from Eve's Bayou by William Eggleston, Image 1.

    William Eggleston

    Debbie's Hand, Batiste House, Pictures from Eve's Bayou, 1998

    Dye transfer print

    20 x 16 in (50.8 x 40.64 cm)

  16. Lisa Nicole Carson, Batiste House, Pictures from Eve's Bayou by William Eggleston, Image 1.

    William Eggleston

    Lisa Nicole Carson, Batiste House, Pictures from Eve's Bayou, 1998

    Dye transfer print

    20 x 16 in (50.8 x 40.64 cm)

  17. Plate 1 (from Graceland) by William Eggleston, Image 2.

    William Eggleston

    Plate 1 (from Graceland), 1983-1984

    Dye transfer print

    22 x 14 in (55.88 x 35.56 cm)

  18. Plate 6 (from Graceland) by William Eggleston, Image 2.

    William Eggleston

    Plate 6 (from Graceland), 1983-1984

    Dye transfer print

    22 x 14 in (55.88 x 35.56 cm)

  19. Plate 10 (from Graceland) by William Eggleston, Image 2.

    William Eggleston

    Plate 10 (from Graceland), 1983-1984

    Dye transfer print

    14 x 22 in (35.56 x 55.88 cm)

  20. Plate 11 (from Graceland) by William Eggleston, Image 2.

    William Eggleston

    Plate 11 (from Graceland), 1983-1984

    Dye transfer print

    14 x 22 in (35.56 x 55.88 cm)

  21. Sofa, Batiste House, Pictures from Eve's Bayou by William Eggleston, Image 1.

    William Eggleston

    Sofa, Batiste House, Pictures from Eve's Bayou, 1998

    Dye transfer print

    16 x 20 in (40.64 x 50.8 cm)

  22. Untitled (Angel in Mourning) by William Eggleston, Image 2.

    William Eggleston

    Untitled (Angel in Mourning), 1980

    Dye transfer print

    17.25 x 11.5 in (43.82 x 29.21 cm)

  23. Untitled (Baby Dolls on Cadillac) by William Eggleston, Image 2.

    William Eggleston

    Untitled (Baby Dolls on Cadillac), 1973

    Dye transfer print

    11.75 x 17.75 in (29.85 x 45.09 cm)

  24. Untitled, from The Louisiana Project by William Eggleston, Image 1.

    William Eggleston

    Untitled, from The Louisiana Project, c. 1980

    Chromogenic print

    20 x 24 in (50.8 x 60.96 cm)

  25. White Light Bulb, Batiste House, Pictures from Eve's Bayou by William Eggleston, Image 1.

    William Eggleston

    White Light Bulb, Batiste House, Pictures from Eve's Bayou, 1998

    Dye transfer print

    16 x 20 in (40.64 x 50.8 cm)