"q?is" explores the serpent's place in Klamath cosmology through the intimate medium of intaglio copper plate etching. Created using drypoint technique, this print captures the essential nature of the snake—neither good nor evil, but a being of transformation and renewal that moves between worlds. The copper plate, scored and scarred by the artist's hand, mirrors the snake's ability to shed and regenerate, each line pressed into metal becoming a pathway of meaning. In Klamath tradition, q?is embodies the cycles of earth and season, the necessary medicine of change that allows life to continue. The print's matrix of marks creates a visual language for this ancient knowledge, translating the snake's wisdom into contemporary form. Through the pressure of the printing process, the image emerges from darkness into light, echoing the snake's emergence from winter's underground world into spring's renewal. The work honors the serpent not as symbol but as teacher, acknowledging the profound intelligence that moves through the world in forms both seen and unseen.
Additional Artworks
From Camas Logue
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(Loloks / bootleg fire) our ancestral homelands burn while the settlers steal the water -Diptych, c. 2022
Oil and graphite on wood panel
30 x 80 x 1.5 in (76.2 x 203.2 x 3.81 cm)
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naat ?a hi? it (we are still here), 2022
Oil and graphite on Rives BFK
29.5 x 41.5 in (74.93 x 105.41 cm)
$10,000
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c'waam, c. 2022
copper plate dry point
17.75 x 28.25 in (paper) (45.09 x 71.76 cm)
$900
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Cordelia Flat, c. 2022
copper plate etching
23 x 16.75 in (paper) (58.42 x 42.55 cm)
$900
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The Stars Fell Like Rain, c. 2022
copper plate etching
15 x 16 in (paper) (38.1 x 40.64 cm)
$700
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kani del hoot skell, c. 2022
copper plate etching
15 x 16 in (paper) (38.1 x 40.64 cm)
$700
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Klamath Land Pigments, c. 2022
Klamath Land Wild Collected Pigments
35 x 39 x 1 in (88.9 x 99.06 x 2.54 cm)
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Gewcis digs for c̓əlaqayac root, c. 2021
Oil and graphite on wood panel
18 x 24 x 1.5 in (45.72 x 60.96 x 3.81 cm)