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"Gewcis digs for c̓əlaqayac root" captures the ancient practice of root gathering that connects Klamath people to the seasonal rhythms of the land. This painting honors the knowledge carried by generations of women who know when and where to find c̓əlaqayac, understanding the proper protocols for harvesting that ensure the plants' return year after year. The work depicts not just the physical act of digging, but the spiritual relationship between harvester and plant—a conversation conducted through careful observation, respectful taking, and reciprocal giving back to the earth. Through oil paint, the artist renders visible the profound intimacy required for this work: reading the subtle signs that indicate when roots are ready, knowing which plants to take and which to leave, understanding that the health of the people depends on the health of the land. Gewcis embodies the traditional ecological knowledge that sustained Klamath communities for millennia, knowledge that treats gathering not as extraction but as participation in the cycles of abundance that require both patience and reverence. The painting serves as both documentation and ceremony, honoring the women who carried this knowledge forward and the plants that continue to offer themselves as medicine and sustenance to those who approach with proper mind and heart.

From Camas Logue

  1. (Loloks / bootleg fire) our ancestral homelands burn while the settlers steal the water -Diptych by Camas Logue, Image 1.

    (Loloks / bootleg fire) our ancestral homelands burn while the settlers steal the water -Diptych, c. 2022

    Oil and graphite on wood panel

    30 x 80 x 1.5 in (76.2 x 203.2 x 3.81 cm)

  2. c'waam by Camas Logue, Image 1.

    c'waam, c. 2022

    copper plate dry point

    17.75 x 28.25 in (paper) (45.09 x 71.76 cm)

    $900

  3. Cordelia Flat by Camas Logue, Image 1.

    Cordelia Flat, c. 2022

    copper plate etching

    23 x 16.75 in (paper) (58.42 x 42.55 cm)

    $900

  4. sčičudᶻ (narrow place) hole in the wall by Camas Logue, Image 1.

    sčičudᶻ (narrow place) hole in the wall, c. 2021

    Oak gull Iron ink, walnut ink, and Caran d'Ache Supracolor Soft Aquarelleon White on Rives BFK

    29.5 x 41.5 in (74.93 x 105.41 cm)

    $10,000

  5. We climbed medicine cave, Gmukamps was beneath us by Camas Logue, Image 1.

    We climbed medicine cave, Gmukamps was beneath us, 2019

    Oil and graphite on wood panel

    24 x 20 x 1.5 in (60.96 x 50.8 x 3.81 cm)

  6. Salmon Sky/Yellow Eyes II by Camas Logue, Image 1.

    Salmon Sky/Yellow Eyes II, c. 2019

    Oil and graphite on wood panel

    24 x 20 x 1.5 in (60.96 x 50.8 x 3.81 cm)

    $7,000

  7. Red ochre can talk when you give it ambo by Camas Logue, Image 1.

    Red ochre can talk when you give it ambo, 2019

    Oil and graphite on wood panel

    24 x 20 x 1.5 in (60.96 x 50.8 x 3.81 cm)

    $7,000

  8. The Lake Freezes by Camas Logue, Image 1.

    The Lake Freezes, c. 2018

    Oil and graphite on wood panel

    18 x 24 x 1.5 in (45.72 x 60.96 x 3.81 cm)

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