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"The Lake Freezes" captures the profound transformation that occurs when Klamath Lake surrenders to winter's grip, marking a shift in the rhythm of life that has sustained the Klamath people for countless generations. This painting documents the moment when open water becomes solid surface, when the liquid highway that carries C'waam and other fish through their seasonal cycles locks into stillness. The work explores the visual poetry of ice formation—the way cold moves across water in patterns that mirror the geometric designs found in traditional Klamath basketry, creating a natural art form that speaks to deep cultural connections between seasonal change and artistic expression. Through oil paint, the artist renders the Lake's winter metamorphosis as both ending and beginning: the conclusion of one season's abundance and the preparation for renewal that lies beneath the frozen surface. The painting honors the traditional knowledge that reads ice formation as calendar and compass, understanding that this transformation signals specific times for specific activities, specific preparations for the return of warmth and the awakening of life that sleeps below. "The Lake Freezes" becomes a meditation on patience and trust—the faith that what appears dormant continues to pulse with life, that winter's stillness protects the movements that will emerge with spring's return.

From Camas Logue

  1. Gewcis digs for c̓əlaqayac root by Camas Logue, Image 1.

    Gewcis digs for c̓əlaqayac root, c. 2021

    Oil and graphite on wood panel

    18 x 24 x 1.5 in (45.72 x 60.96 x 3.81 cm)

  2. sčičudᶻ (narrow place) hole in the wall by Camas Logue, Image 1.

    sčičudᶻ (narrow place) hole in the wall, c. 2021

    Oak gull Iron ink, walnut ink, and Caran d'Ache Supracolor Soft Aquarelleon White on Rives BFK

    29.5 x 41.5 in (74.93 x 105.41 cm)

    $10,000

  3. We climbed medicine cave, Gmukamps was beneath us by Camas Logue, Image 1.

    We climbed medicine cave, Gmukamps was beneath us, 2019

    Oil and graphite on wood panel

    24 x 20 x 1.5 in (60.96 x 50.8 x 3.81 cm)

  4. Salmon Sky/Yellow Eyes II by Camas Logue, Image 1.

    Salmon Sky/Yellow Eyes II, c. 2019

    Oil and graphite on wood panel

    24 x 20 x 1.5 in (60.96 x 50.8 x 3.81 cm)

    $7,000

  5. Red ochre can talk when you give it ambo by Camas Logue, Image 1.

    Red ochre can talk when you give it ambo, 2019

    Oil and graphite on wood panel

    24 x 20 x 1.5 in (60.96 x 50.8 x 3.81 cm)

    $7,000

  6. Red Hills Red Land II by Camas Logue, Image 1.

    Red Hills Red Land II, 2018

    Oil and graphite on wood panel

    18 x 24 x 1.5 in (45.72 x 60.96 x 3.81 cm)

    $7,000

  7. Red Hills Red Land I by Camas Logue, Image 1.

    Red Hills Red Land I, c. 2018

    Oil and graphite on wood panel

    18 x 24 x 1.5 in (45.72 x 60.96 x 3.81 cm)

    $7,000

  8. Red Hills Red Land III by Camas Logue, Image 1.

    Red Hills Red Land III, c. 2018

    Oil and graphite on wood panel

    18 x 24 x 1.5 in (45.72 x 60.96 x 3.81 cm)

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