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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. True Blue by Ludovica Gioscia, Image 2.

    Ludovica Gioscia

    True Blue, 2021

    Four color screenprint on acid free watercolor 300 gsm paper

    20 x 16 in (50.8 x 40.64 cm)

  2. Mother and Son Slept Peacefully After Arriving at the Women Against Abuse Shelter, Philadelphia, Pennsylvania, from Living with the Enemy by Donna Ferrato, Image 1.

    Donna Ferrato

    Mother and Son Slept Peacefully After Arriving at the Women Against Abuse Shelter, Philadelphia, Pennsylvania, from Living with the Enemy, 1985

    Archival pigment print

    24 x 20 in (60.96 x 50.8 cm)

  3. Closed by Robert Malone, Image 1.

    Robert Malone

    Closed, 1979

    Lithograph on paper

    13.625 x 22.5 in (34.61 x 57.15 cm)

  4. Apotheosis of the Great Peanut Society by Bruce Horn, Image 1.

    Bruce Horn

    Apotheosis of the Great Peanut Society, 1977

    Etching on paper

    29.75 x 22 in (75.57 x 55.88 cm)

  5. Rotation, Frankfurt I by Kenneth Martin, Image 1.

    Kenneth Martin

    Rotation, Frankfurt I, 1977

    Screenprint on paper

    29 x 29.25 in (73.66 x 74.3 cm)

  6. Charles Newington, Printer from The Rime of the Ancient Mariner by Patrick Procktor, Image 1.

    Patrick Procktor

    Charles Newington, Printer from The Rime of the Ancient Mariner, 1976

    Etching on paper

    25.75 x 19.5 in (65.41 x 49.53 cm)

  7. Fiore Noterno by Emilio Pucci, Image 1.

    Emilio Pucci

    Fiore Noterno, 1973

    Lithograph on paper

    25.75 x 18.25 in (65.41 x 46.36 cm)

  8. Harold Feinstein

    Sheep Under Clouds, Ringoes, NJ, from Photographer's Choice: Harold Feinstein-Decades Four, 1958

    Gelatin silver print

    14.125 x 11.125 in (35.88 x 28.26 cm)

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About the artist

Reginald Marsh

American

1898-1954

The American artist Reginald Marsh (1898-1954) was born in Paris, but his family soon moved to a small artist community in New Jersey. He Later completed his education at Yale University before moving to New York City. His primary focus were the marginalized groups and the “seedy underbelly of New York City.” His art practice took him to the homeless of downtown Manhattan, the streets of Coney Island, and the seaports. During this time, he provided “illustrations of the vaudeville acts” to the New York Daily News, The New Yorker, and the New Masses Marxist journal. He eventually rented a studio on the 14th Street in 1929 where his overarching vision as a painter developed. Fifteen one-man exhibitions of his work were held at New York’s Frank K. M. Rehn Gallery between 1930 and 1953.2 He later turned to teaching as he spent his later years at the Art Students League. He won the Gold Medal for Graphic Arts by the American Academy and the National Institute for Arts and Letters in his upcoming years. Today his works can be found at the Whitney Museum, Detroit Institute of Arts, Brooklyn Museum, and many other major American museums.