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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Blue Vine, Bourgogne by Ralph Gibson, Image 1.

    Ralph Gibson

    Blue Vine, Bourgogne, 1992

    Chromogenic print

    20 x 16 in (50.8 x 40.64 cm)

  2. Marilyn Bridges

    Navaho Hogan, M.V., from the Heightened Perspectives series, 1983

    Gelatin silver print

    19.5 x 16 in (49.53 x 40.64 cm)

  3. William Dunlap, McLean, Va. by William R. Ferris, Image 1.

    William R. Ferris

    William Dunlap, McLean, Va., 1982

    Gelatin silver print

    9 x 13.5 in (22.86 x 34.29 cm)

  4. Charles Ireland by Andy Warhol, Image 1.

    Andy Warhol

    Charles Ireland, 1978

    Polaroid

    4.25 x 3.375 in (10.8 x 8.57 cm)

  5. Dieter Roth

    Bats, 1978

    Offset print

    19.8125 x 13.875 in (50.32 x 35.24 cm)

  6. Domestic Scene by John David Boyd, Image 1.

    John David Boyd

    Domestic Scene, 1976

    Etching and aquatint on paper

    17.75 x 23.75 in (45.09 x 60.33 cm)

  7. Small January 1973: 1 by Patrick Heron, Image 1.

    Patrick Heron

    Small January 1973: 1, c. 1973

    Screenprint on paper mounted to board

    21 x 24.5 in (53.34 x 62.23 cm)

  8. City Street by Barbara Morgan, Image 1.

    Barbara Morgan

    City Street, 1937

    Gelatin silver print

    15.75 x 19.625 in (40.01 x 49.85 cm)

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About the artist

Kenneth Martin

British

1905-1989

British painter and sculptor. Led the revival of Constructivist Art in the 1940s. Studied at the Royal College of Art in 1929-1932. Became an abstract painter and sculptor after nearly two decades of painting Realist portraits and landscapes—a radical shift to abstract from material, non-representational from representational, geometric from organic. Heavily influenced by Kazimir Malevich, the father of Constructivism, and Alexander Calder, an American sculptor known for his innovative mobiles. Created geometric abstract works in both painting and kinetic sculpture.