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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Untitled (C) by Joel Shapiro, Image 1.

    Joel Shapiro

    Untitled (C), 2003

    Woodcut printed on Gampi paper, mounted onto Hanga Dosa paper

    26.25 x 18.34 in (66.68 x 46.58 cm)

  2. Romancing the Past, Outliving the Future by Anne Noggle, Image 1.

    Anne Noggle

    Romancing the Past, Outliving the Future, 1987

    Gelatin silver print

    19.75 x 16 in (50.17 x 40.64 cm)

  3. Unidentified Woman (Short Dark Hair) by Andy Warhol, Image 1.

    Andy Warhol

    Unidentified Woman (Short Dark Hair), 1980

    Polaroid

    4.25 x 3.375 in (10.8 x 8.57 cm)

  4. Karel Appel

    Stalking Cat, 1978

    Lithograph on paper

  5. And We Did Speak Only to Break The Silence of the Sea! from The Rime of the Ancient Mariner by Patrick Procktor, Image 2.

    Patrick Procktor

    And We Did Speak Only to Break The Silence of the Sea! from The Rime of the Ancient Mariner, 1976

    Etching on paper

    25.75 x 19.625 in (65.41 x 49.85 cm)

  6. Lines with Breadth Supercede by William Scott, Image 1.

    William Scott

    Lines with Breadth Supercede, 1972

    Screenprint on paper

    22.875 x 15.375 in (58.1 x 39.05 cm)

  7. Horsewoman, Ireland, from "Alen MacWeeney" portfolio by Alen MacWeeney, Image 1.

    Alen MacWeeney

    Horsewoman, Ireland, from "Alen MacWeeney" portfolio, 1965

    Gelatin silver print

    11.5 x 11.5 in (29.21 x 29.21 cm)

  8. Rubbing #3 by Bernard Pfriem, Image 1.

    Bernard Pfriem

    Rubbing #3, 1961

    Lithograph on paper

    10 x 14 in (25.4 x 35.56 cm)

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About the artist

Barbara Morgan

American

1900-1992

Born in Buffalo, Kansas, and raised in Southern California, Barbara Morgan attended UCLA and taught design, woodcut, and painting there. After attending a performance by the fledgling Martha Graham Company, Morgan began to work on a book of photographs capturing Graham’s dancers. After this, she continued to photograph other modern dancers, capturing individual, fleeting moments and turning them timeless. Morgan is also remembered as a co-founder of Aperture magazine in 1951, one of the few publications at the time to nurture a dialogue among photographers and treat photography as a fine art. Her works are held in the collections of the National Portrait Gallery in Washington, D.C., The Museum of Modern Art in New York, and the National Gallery of Canada in Ottawa, among others.