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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Crescent Theatre, 211 North Hayden Street, Belzoni, Mississippi, 1977 by William R. Ferris, Image 1.

    William R. Ferris

    Crescent Theatre, 211 North Hayden Street, Belzoni, Mississippi, 1977, 1977

    Chromogenic print

    16.125 x 24 in (40.96 x 60.96 cm)

  2. Icarian Image II by S. Tucker Cooke, Image 1.

    S. Tucker Cooke

    Icarian Image II, 1974

    Lithograph on paper

    34.5 x 24.5 in (87.63 x 62.23 cm)

  3. One Dip Please by James Butler, Image 1.

    James Butler

    One Dip Please, 1973

    Lithograph on paper

    22.75 x 18.25 in (57.79 x 46.36 cm)

  4. Mont Ventoux by Julian Trevelyan, Image 1.

    Julian Trevelyan

    Mont Ventoux, 1973

    Etching on paper

    30.375 x 23.875 in (77.15 x 60.64 cm)

  5. Diana Dors by Philippe Halsman, Image 1.

    Philippe Halsman

    Diana Dors, 1956

    Gelatin silver print

    13.875 x 10.875 in (35.24 x 27.62 cm)

  6. Cecile Aubrey by Philippe Halsman, Image 1.

    Philippe Halsman

    Cecile Aubrey, 1950

    Gelatin silver print

    9.75 x 12 in (24.77 x 30.48 cm)

  7. Pit Ticket: the Cockpit by William Hogarth, Image 1.

    William Hogarth

    Pit Ticket: the Cockpit, 1759

    Etching and engraving on paper

    12 x 14.5 in (30.48 x 36.83 cm)

  8. Gene Hard at Work at Home by Gene Merritt, Image 1.

    Gene Merritt

    Gene Hard at Work at Home

    Ink on paper

    11 x 8.5 in (27.94 x 21.59 cm)

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About the artist

Reginald Pollack

American

1921-2001

Reginald Pollack first studied art under Moses Soyer at the High School of Music and Art in New York. He served in World War II in the 87th Mountain Infantry, and post-war, Pollack studied the G.I. Bill in Paris and lived there until 1961. He began exhibiting works during the early 1950’s at the Peridot Gallery in New York where he also taught at Cooper Union and Yale University. Later, Pollack settled in Los Angeles in 1963 and exhibited at the Felix Landau and Jefferson Galleries. His works represent heavy influence by Cézanne and Bonnard with themes ranging from portraits to landscapes, as well as metaphysical images. In the early 1960’s, he developed a more efficient method of creating lithographs by utilizing a special plastic base. His works can be found at the Metropolitan Museum of Art, the Stanford University Museum of Art and many other museums.