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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. I am a man by Shepard Fairey, Image 2.

    Shepard Fairey

    I am a man, 2020

    Silkscreen on paper

    35.8 x 24 in (90.93 x 60.96 cm)

  2. Redaction Order 13769, Page 4 by Johannah Herr, Image 1.

    Johannah Herr

    Redaction Order 13769, Page 4, 2019

    Vinyl on archival inkjet

    40 x 26 in (101.6 x 66.04 cm)

  3. Eating Mist II by Nancy Baker, Image 1.

    Nancy Baker

    Eating Mist II, 2016

    Pigment prints, glitter, Mylar and acrylic on hand and laser cut paper, museum board

    43 x 33 x 3 in (109.22 x 83.82 x 7.62 cm)

  4. Nell Smith Flux Encounter by Alan Saret, Image 1.

    Alan Saret

    Nell Smith Flux Encounter, 1983

    Pencil on paper

    22.5 x 30.125 in (57.15 x 76.52 cm)

  5. Collaboration: Printer by Jim McCormick, Image 1.

    Jim McCormick

    Collaboration: Printer, 1979

    Lithograph on paper

    11.25 x 16 in (28.58 x 40.64 cm)

  6. Untitled by A.R. Ammons, Image 1.

    A.R. Ammons

    Untitled, 1978

    Watercolor and ink on Arches paper

    24 x 18 in (60.96 x 45.72 cm)

  7. Tehucan I by Aaron Siskind, Image 2.

    Aaron Siskind

    Tehucan I, c. 1955

    Gelatin silver print

    13.625 x 16.5 in (34.61 x 41.91 cm)

  8. Beggars Receiving Alms at a Door by Harmenszoon van Rijn Rembrandt, Image 1.

    Harmenszoon van Rijn Rembrandt

    Beggars Receiving Alms at a Door, 1648

    Etching on paper

    6.75 x 5.5 in (17.15 x 13.97 cm)

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About the artist

William Hogarth

British

1697-1764

London artist in 18th century, renowned for his portrait series, 'conversation pieces,' Hogarth studied under a goldsmith and produced engraved designs in 1710. His works pertained to satirical commentary on the contemporary norms. His work ranged from realistic portraiture to comic-strip like series of pictures called modern moral subjects, the best known being his moral series "A Harlot's Progress," "A Rake's Progress," and "Marriage A-La-Mode."