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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Powerpool, Selkirk Yard by James Welling, Image 1.

    James Welling

    Powerpool, Selkirk Yard, 1991

    Gelatin silver print

    9 x 11.25 in (22.86 x 28.58 cm)

  2. Tile Photograph 7 by James Welling, Image 2.

    James Welling

    Tile Photograph 7, 1985

    Gelatin silver print mounted to board

    20 x 16 in (50.8 x 40.64 cm)

  3. Los Fuegos Artificiales by Annie Dowhie, Image 1.

    Annie Dowhie

    Los Fuegos Artificiales, 1982

    Lithograph on paper

    17.25 x 7.5 in (43.82 x 19.05 cm)

  4. Mr. Berger (German) by Andy Warhol, Image 1.

    Andy Warhol

    Mr. Berger (German), 1979

    Polaroid

    4.25 x 3.375 in (10.8 x 8.57 cm)

  5. Untitled RH 221LS by Richard Howard Hunt, Image 1.

    Richard Howard Hunt

    Untitled RH 221LS, 1974

    Lithograph on paper

    13.5 x 11.25 in (34.29 x 28.58 cm)

  6. Blue Field by William Scott, Image 1.

    William Scott

    Blue Field, 1972

    Screenprint on paper

    22.875 x 30.5 in (58.1 x 77.47 cm)

  7. Equals by William Scott, Image 1.

    William Scott

    Equals, 1972

    Screenprint on paper

    23 x 30.5 in (58.42 x 77.47 cm)

  8. Another August by George Lockwood, Image 1.

    George Lockwood

    Another August, 1969

    Lithograph with poem by James Merrill

    19.875 x 23.75 in (50.48 x 60.33 cm)

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About the artist

Conrad Marca-Relli

American

1913-2000

American painter. Marca-Rellia began his first formal artistic training in New York when he was thirteen, taking night classes at a private art school. He studied for a year at Cooper Union Art School (1930) before establishing his own studio. Many of his paintings are large-scale collages, made of pieces of canvas or linen overpainted with substantial brushstrokes, some showing his experimentation with metals and synthetic plastics. Many of these collages depict multiple figures or architectural scenes. He is considered a pioneer of Abstract Expressionism.