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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Floating by Tom Stanley, Image 1.

    Tom Stanley

    Floating, 2004

    Acrylic on panel

    20 x 23.75 in (50.8 x 60.33 cm)

  2. Hillside White Birch, Letchworth State Park, New York by John Sexton, Image 1.

    John Sexton

    Hillside White Birch, Letchworth State Park, New York, 1987

    Gelatin silver print

    10.125 x 10.5 in (25.72 x 26.67 cm)

  3. Treelands by Ronald L. Ruble, Image 1.

    Ronald L. Ruble

    Treelands, 1978

    Etching on paper

    11.125 x 15 in (28.26 x 38.1 cm)

  4. Whose Gold Standard by William Weege, Image 1.

    William Weege

    Whose Gold Standard, 1976

    Screenprint on paper

    30.125 x 22.125 in (76.52 x 56.2 cm)

  5. History of Printmaking: Hayter Discovers Viscosity by Warrington W. Colescott, Image 1.

    Warrington W. Colescott

    History of Printmaking: Hayter Discovers Viscosity, 1976

    Lithograph on paper

    20.25 x 26 in (51.44 x 66.04 cm)

  6. Baby by John Talleur, Image 1.

    John Talleur

    Baby, 1976

    Etching on paper

    11 x 14 in (27.94 x 35.56 cm)

  7. Mist on Mountain by Martha Lynn Duncan, Image 1.

    Martha Lynn Duncan

    Mist on Mountain, 1972

    Etching and aquatint on paper

    23.5 x 26 in (59.69 x 66.04 cm)

  8. General Dynamic F.U.N. New Semester Reward of the Oppressed by Eduardo Paolozzi, Image 1.

    Eduardo Paolozzi

    General Dynamic F.U.N. New Semester Reward of the Oppressed, 1965/70

    Photolithograph

    15 x 10 in (38.1 x 25.4 cm)

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About the artist

William Scott

British

1913-1989

British painter. Known for his non-objective works that explore the space between abstraction and figuration due to his interest in themes of still-life, landscape and the female nude. Attended the Belfast School of Art before painting at the Royal Academy Schools. Exhibited at the Paris Salon d’Automne, 1938. Joined the army in July 1942 with the Royal Army Ordnance Corps and then as a lithographic draughtsman with the Royal Engineers. Taught at the Bath Academy of Art as Senior Painting Master before painting full-time from 1956 onward. Represented Great Britain at the 1958 Venice Biennale and at the 1961 São Paulo Bienal where he won the Sanbra (International Critics) Purchase Prize, amongst others.