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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Ecstasy of Tom and Wild Mustard Wrapped in Crinkly Plastic, from "Cloistered Order" series by Raymond Grubb, Image 1.

    Raymond Grubb

    Ecstasy of Tom and Wild Mustard Wrapped in Crinkly Plastic, from "Cloistered Order" series, 2020

    Archival inkjet print

    19 x 13 in (48.26 x 33.02 cm)

  2. Floridawater II by Allison Janae Hamilton, Image 1.

    Allison Janae Hamilton

    Floridawater II, 2019

    Archival pigment print

    24 x 36 in (60.96 x 91.44 cm)

  3. Greta Thunberg's first school strike for Climate, outside the Swedish Parliament, August 20, 2018 by Adam Karls Johansson, Image 1.

    Adam Karls Johansson

    Greta Thunberg's first school strike for Climate, outside the Swedish Parliament, August 20, 2018, 2018, printed 2021

    Archival pigment print

    19 x 27 in (48.26 x 68.58 cm)

  4. Mr. Poole, Monrovia, Maryland by Frank P. Herrera, Image 1.

    Frank P. Herrera

    Mr. Poole, Monrovia, Maryland, 1980

    Gelatin silver print

    13.875 x 17.5 in (35.24 x 44.45 cm)

  5. Monrovia, Maryland by Frank P. Herrera, Image 1.

    Frank P. Herrera

    Monrovia, Maryland, 1980

    Gelatin silver print

    14 x 17.5 in (35.56 x 44.45 cm)

  6. Earth by Herb Jackson, Image 1.

    Herb Jackson

    Earth, 1973

    Lithograph on paper

    22 x 29.875 in (55.88 x 75.88 cm)

  7. Air by Herb Jackson, Image 1.

    Herb Jackson

    Air, 1973

    Lithograph on paper

    22.125 x 29.75 in (56.2 x 75.57 cm)

  8. Frank P. Herrera

    Barkeley Bounderant, River Rock, Virginia, 1972

    Gelatin silver print

    8 x 6.375 in (20.32 x 16.19 cm)

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About the artist

Roni Horn

American

b. 1955

Roni Horn was born in New York in 1955. She earned her BFA from the Rhode Island School of Design and her MFA from Yale University. Horn has worked with sculpture, photography, drawing, literature, and installations throughout her career, appearing in numerous exhibitions. Much of her work centers around concepts of fluid identity, perception, repetition, and mirroring. Inspired by her time living in and traveling around Iceland, Horn’s work tends to feature abstractions of nature and the environment. In addition, she often allows her art to interact with its surroundings and its audience, and vice versa. Some of her notable work includes a series of glass sculptures that utilize the shifting light from their environment to reflect on mutable identity, as well as drawings and other mediums that incorporate text, be it streams of consciousness or Emily Dickenson poems. Her photography and other works are, according to Horn, a sort of self-portrait of the artist, in spite of their abstract and figure-less forms.