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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Steamroller by Anthony Owen, Image 1.

    Anthony Owen

    Steamroller, 1992

    Embossing and enamel on paper

    50.5 x 108.25 in (128.27 x 274.96 cm)

  2. Robert Amberg

    Auction, Bishopville, South Carolina, 1987

    Gelatin silver print

    12.5 x 18.5 in (31.75 x 46.99 cm)

  3. Carol Soffer by Andy Warhol, Image 1.

    Andy Warhol

    Carol Soffer, 1980

    Polaroid

    4.25 x 3.375 in (10.8 x 8.57 cm)

  4. Mike by Harvey Breverman, Image 1.

    Harvey Breverman

    Mike, 1980

    Lithograph on paper

    22.25 x 15.125 in (56.52 x 38.42 cm)

  5. Triangles Within a Square VII by Gordon House, Image 1.

    Gordon House

    Triangles Within a Square VII, 1971

    Etching on paper

    24.75 x 17.875 in (62.87 x 45.4 cm)

  6. General by Misch Kohn, Image 1.

    Misch Kohn

    General, 1970

    Lithograph on paper

    30.5 x 22.25 in (77.47 x 56.52 cm)

  7. Dinah Shore by Philippe Halsman, Image 1.

    Philippe Halsman

    Dinah Shore, 1952

    Gelatin silver print

    14 x 11 in (35.56 x 27.94 cm)

  8. Takata Riding Grounds (Takata no baba), No. 115 from the series “One Hundred Famous Views of Edo” (Meisho Edo hyakkei) by 歌川(Utagawa) 広重(Hiroshige), Image 1.

    歌川(Utagawa) 広重(Hiroshige)

    Takata Riding Grounds (Takata no baba), No. 115 from the series “One Hundred Famous Views of Edo” (Meisho Edo hyakkei), 1857

    Woodblock on paper

    13.125 x 8.75 in (33.34 x 22.23 cm)

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About the artist

Roni Horn

American

b. 1955

Roni Horn was born in New York in 1955. She earned her BFA from the Rhode Island School of Design and her MFA from Yale University. Horn has worked with sculpture, photography, drawing, literature, and installations throughout her career, appearing in numerous exhibitions. Much of her work centers around concepts of fluid identity, perception, repetition, and mirroring. Inspired by her time living in and traveling around Iceland, Horn’s work tends to feature abstractions of nature and the environment. In addition, she often allows her art to interact with its surroundings and its audience, and vice versa. Some of her notable work includes a series of glass sculptures that utilize the shifting light from their environment to reflect on mutable identity, as well as drawings and other mediums that incorporate text, be it streams of consciousness or Emily Dickenson poems. Her photography and other works are, according to Horn, a sort of self-portrait of the artist, in spite of their abstract and figure-less forms.