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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Intermedio by Delia Cugat, Image 1.

    Delia Cugat

    Intermedio, 2005

    Oil on canvas

    38.25 x 57.5 x 1 in (97.16 x 146.05 x 2.54 cm)

  2. Addendum to Virginia Wolff by Anne Noggle, Image 1.

    Anne Noggle

    Addendum to Virginia Wolff, 1990

    Silver gelatin print

    20 x 24 in (50.8 x 60.96 cm)

  3. Mirror Nude by Frank Huntington Stack, Image 1.

    Frank Huntington Stack

    Mirror Nude, 1978

    Lithograph on paper

    15 x 11.125 in (38.1 x 28.26 cm)

  4. Earth Radiating Into Infinity by Stanley E. Lea, Image 1.

    Stanley E. Lea

    Earth Radiating Into Infinity, 1977

    Collograph on paper

    18 x 24 in (45.72 x 60.96 cm)

  5. Skater's Waltz by Yun James Yohe, Image 1.

    Yun James Yohe

    Skater's Waltz, 1976

    Oil on canvas

    90 x 119.5 in (228.6 x 303.53 cm)

  6. The Unfortunate Man Who Could Not Touch the One He Loved by Duane Michals, Image 1.

    Duane Michals

    The Unfortunate Man Who Could Not Touch the One He Loved, 1976

    Gelatin silver print

    7.75 x 9.625 in (19.69 x 24.45 cm)

  7. Caco I, Paris by Lucien Clergue, Image 1.

    Lucien Clergue

    Caco I, Paris, 1975

    Gelatin silver print

    14.25 x 9.125 in (36.2 x 23.18 cm)

  8. Rejoneadora I by Dame Elisabeth Frink, Image 1.

    Dame Elisabeth Frink

    Rejoneadora I, 1971

    Lithograph on paper

    22.375 x 30.375 in (56.83 x 77.15 cm)

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About the artist

William Scott

British

1913-1989

British painter. Known for his non-objective works that explore the space between abstraction and figuration due to his interest in themes of still-life, landscape and the female nude. Attended the Belfast School of Art before painting at the Royal Academy Schools. Exhibited at the Paris Salon d’Automne, 1938. Joined the army in July 1942 with the Royal Army Ordnance Corps and then as a lithographic draughtsman with the Royal Engineers. Taught at the Bath Academy of Art as Senior Painting Master before painting full-time from 1956 onward. Represented Great Britain at the 1958 Venice Biennale and at the 1961 São Paulo Bienal where he won the Sanbra (International Critics) Purchase Prize, amongst others.