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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Utopia/Myopia, from the portfolio "Utopia" by Roger Allen-Wickler, Image 2.

    Roger Allen-Wickler

    Utopia/Myopia, from the portfolio "Utopia", 1989

    Silkscreen, linoleum cut, gold leaf on paper

    22.5 x 14.875 in (57.15 x 37.78 cm)

  2. Sisters, from RISD Portfolio by Debora Hunter, Image 1.

    Debora Hunter

    Sisters, from RISD Portfolio, 1974

    Gelatin silver print mounted to drawing board

    5.25 x 6.75 in (13.34 x 17.15 cm)

  3. Dam Plan by Ray George, Image 1.

    Ray George

    Dam Plan, 1974

    Lithograph on paper

    22.125 x 29.875 in (56.2 x 75.88 cm)

  4. January 1973: 18 by Patrick Heron, Image 1.

    Patrick Heron

    January 1973: 18, 1973

    Screenprint on paper

    27.375 x 36.5 in (69.53 x 92.71 cm)

  5. Cityscape by Martin Rosenthal, Image 1.

    Martin Rosenthal

    Cityscape, 1971

    Oil on canvas

    65.75 x 46.75 in (167.01 x 118.75 cm)

  6. Untitled (Self-Portrait) by Leonard Baskin, Image 1.

    Leonard Baskin

    Untitled (Self-Portrait), 1971

    Lithograph on paper

    33 x 22.125 in (83.82 x 56.2 cm)

  7. Lampshade by Patrick Caulfield, Image 1.

    Patrick Caulfield

    Lampshade, 1969

    Screenprint on paper

    14 x 12 in (35.56 x 30.48 cm)

  8. Baldwin's Folly by Carmen Louis Cicero, Image 1.

    Carmen Louis Cicero

    Baldwin's Folly, 1960

    Lithograph on paper

    16 x 19.75 in (40.64 x 50.17 cm)

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About the artist

Stanley E. Lea

American

b. 1930

American printmaker. Lea was known for his experimental printmaking techniques and collage work. In his early career, Lea exhibited in the Midwest. He moved to Texas to teach at Sam Houston State University, where he began the art department’s printmaking program, and pioneered viscosity printing: a new technique that employed an ink viscosity process techniques employed in relief, lithograph, and intaglio printing. He printed the colors simultaneously instead of separately. Due to the complexity of the process, he printed only around fifteen of each edition. His works have been displayed in galleries both nationally and internationally, including the Louve, Smithsonian, and Utah Museum of Fine Arts.