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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Untitled by Peter Bodnar, Image 1.

    Peter Bodnar

    Untitled, 1983

    Lithograph on paper

    11.125 x 15 in (28.26 x 38.1 cm)

  2. Melancholia II by Robert Ecker, Image 2.

    Robert Ecker

    Melancholia II, 1978

    Mezzotint on paper

    10 x 8 in (25.4 x 20.32 cm)

  3. Mostly Mozart by Gene Davis, Image 1.

    Gene Davis

    Mostly Mozart, 1975

    Color silkscreen on paper

    25.75 x 57 in (65.41 x 144.78 cm)

  4. White Predominates by William Scott, Image 1.

    William Scott

    White Predominates, 1972

    Screenprint on paper

    23 x 30.625 in (58.42 x 77.79 cm)

  5. Diagonal Joint by Gordon House, Image 1.

    Gordon House

    Diagonal Joint, 1970

    Etching on paper

    25 x 18 in (63.5 x 45.72 cm)

  6. Untitled by Beverly Pepper, Image 1.

    Beverly Pepper

    Untitled, 1968

    Collage on paper

    19.25 x 27.75 in (48.9 x 70.49 cm)

  7. Portrait of a Girl by Daniel Brustlein, Image 1.

    Daniel Brustlein

    Portrait of a Girl, c. 1963

    Lithograph on paper

    22.875 x 28.125 in (58.1 x 71.44 cm)

  8. Revolt of Molars by David Solot, Image 1.

    David Solot

    Revolt of Molars, c. 1950

    Lithograph on paper

    18.875 x 14.5 in (47.94 x 36.83 cm)

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About the artist

Reginald Pollack

American

1921–2001

Reginald Pollack first studied art under Moses Soyer at the High School of Music and Art in New York. He served in World War II in the 87th Mountain Infantry, and post-war, Pollack studied the G.I. Bill in Paris and lived there until 1961. He began exhibiting works during the early 1950’s at the Peridot Gallery in New York where he also taught at Cooper Union and Yale University. Later, Pollack settled in Los Angeles in 1963 and exhibited at the Felix Landau and Jefferson Galleries. His works represent heavy influence by Cézanne and Bonnard with themes ranging from portraits to landscapes, as well as metaphysical images. In the early 1960’s, he developed a more efficient method of creating lithographs by utilizing a special plastic base. His works can be found at the Metropolitan Museum of Art, the Stanford University Museum of Art and many other museums.