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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. skies on my left and skies beneath my feet. the pools, open. the windows, transport by Ruby Onyinyechi Amanze, Image 2.

    Ruby Onyinyechi Amanze

    skies on my left and skies beneath my feet. the pools, open. the windows, transport, 2020

    Digital pigment and silkscreen print with gold leaf and hand-applied elements on Somerset Velvet 330 gsm paper

    24 x 18 in (60.96 x 45.72 cm)

  2. Vincent sees Kirk Douglas at the Premiere of 'Lust for Life' by Greg Constantine, Image 1.

    Greg Constantine

    Vincent sees Kirk Douglas at the Premiere of 'Lust for Life', 1982

    Lithograph on paper

    15 x 22.5 in (38.1 x 57.15 cm)

  3. Morning Light by Linda Plotkin, Image 1.

    Linda Plotkin

    Morning Light, 1976

    Etching on paper

    21.5 x 23.5 in (54.61 x 59.69 cm)

  4. Mostly Mozart by Gene Davis, Image 1.

    Gene Davis

    Mostly Mozart, 1975

    Color silkscreen on paper

    25.75 x 57 in (65.41 x 144.78 cm)

  5. Boston Lettuce by Laura Grosch, Image 1.

    Laura Grosch

    Boston Lettuce, 1972

    Lithograph on paper

    20.3125 x 30 in (51.59 x 76.2 cm)

  6. Canterbury Tales by Dame Elisabeth Frink, Image 1.

    Dame Elisabeth Frink

    Canterbury Tales, 1972

    Etching on paper

    31.375 x 23 in (79.69 x 58.42 cm)

  7. Indian View D by Howard Hodgkin, Image 1.

    Howard Hodgkin

    Indian View D, 1971

    Screenprint on paper

    22.75 x 30.25 in (57.79 x 76.84 cm)

  8. Stone Age by Alexander Calder, Image 1.

    Alexander Calder

    Stone Age, 1969

    Lithograph on paper

    30.5 x 23 in (77.47 x 58.42 cm)

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About the artist

William Scott

British

1913–1989

British painter. Known for his non-objective works that explore the space between abstraction and figuration due to his interest in themes of still-life, landscape and the female nude. Attended the Belfast School of Art before painting at the Royal Academy Schools. Exhibited at the Paris Salon d’Automne, 1938. Joined the army in July 1942 with the Royal Army Ordnance Corps and then as a lithographic draughtsman with the Royal Engineers. Taught at the Bath Academy of Art as Senior Painting Master before painting full-time from 1956 onward. Represented Great Britain at the 1958 Venice Biennale and at the 1961 São Paulo Bienal where he won the Sanbra (International Critics) Purchase Prize, amongst others.