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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Hawayee 5-0, 1999 by Gene Merritt, Image 1.

    Gene Merritt

    Hawayee 5-0, 1999, 1999

    Ink on paper

    12 x 9 in (30.48 x 22.86 cm)

  2. Fall Branding at the Ninety-Six Ranch, Paradise Valley, Nevada by Carl Fleischhauer, Image 1.

    Carl Fleischhauer

    Fall Branding at the Ninety-Six Ranch, Paradise Valley, Nevada, 1979

    Gelatin silver print

    8 x 12 in (20.32 x 30.48 cm)

  3. Unidentified Woman (Red Ruby Earrings) by Andy Warhol, Image 1.

    Andy Warhol

    Unidentified Woman (Red Ruby Earrings), 1979

    Polaroid

    4.25 x 3.375 in (10.8 x 8.57 cm)

  4. Ford by Joyce Arons, Image 1.

    Joyce Arons

    Ford, 1979

    Silkscreen on paper

    29.5 x 21.25 in (74.93 x 53.98 cm)

  5. Folded Paper Clip by Richard Smith, Image 1.

    Richard Smith

    Folded Paper Clip, 1975

    Lithograph on paper with paperclips

    27.25 x 28.125 in (69.22 x 71.44 cm)

  6. In The Studio by John Edward Heliker, Image 1.

    John Edward Heliker

    In The Studio, 1960

    Lithograph on paper

    13.25 x 9.625 in (33.66 x 24.45 cm)

  7. Maria Tallchief by Philippe Halsman, Image 2.

    Philippe Halsman

    Maria Tallchief, 1956

    Gelatin silver print

  8. Paysage Boise A L'Etang (Woodland Landscape with a Pond) by Henri-Joseph Harpignies, Image 2.

    Henri-Joseph Harpignies

    Paysage Boise A L'Etang (Woodland Landscape with a Pond), No date

    Watercolor and wash on paper

    9.6 x 13.2 in (24.38 x 33.53 cm)

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About the artist

William Scott

British

1913-1989

British painter. Known for his non-objective works that explore the space between abstraction and figuration due to his interest in themes of still-life, landscape and the female nude. Attended the Belfast School of Art before painting at the Royal Academy Schools. Exhibited at the Paris Salon d’Automne, 1938. Joined the army in July 1942 with the Royal Army Ordnance Corps and then as a lithographic draughtsman with the Royal Engineers. Taught at the Bath Academy of Art as Senior Painting Master before painting full-time from 1956 onward. Represented Great Britain at the 1958 Venice Biennale and at the 1961 São Paulo Bienal where he won the Sanbra (International Critics) Purchase Prize, amongst others.