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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Econtraron a tres by Miguel A. Aragón, Image 1.

    Miguel A. Aragón

    Econtraron a tres, 2012

    Burnt residue embossing on gray Magnani Pescia paper

    22.25 x 29.625 in (56.52 x 75.25 cm)

  2. Bottom of the Dune, White Sands National Park, NM by Lucien Clergue, Image 1.

    Lucien Clergue

    Bottom of the Dune, White Sands National Park, NM, 1987

    Chromogenic print

    10 x 29.75 in (25.4 x 75.57 cm)

  3. Dante, I Had Not Known That Death Had Undone So Many by Tom Phillips, Image 1.

    Tom Phillips

    Dante, I Had Not Known That Death Had Undone So Many, c. 1975

    Etching on paper

    25.5 x 19.5 in (64.77 x 49.53 cm)

  4. Luncheon of Honor, '55 by Shiela Bocock, Image 1.

    Shiela Bocock

    Luncheon of Honor, '55, 1974

    Pencil and ink on paper mounted to board

    20 x 30 in (50.8 x 76.2 cm)

  5. Barbara Swan

    Harold Tovish, Friends of the Artist, 1970

    Lithograph on paper

    30.3125 x 22.125 in (76.99 x 56.2 cm)

  6. Marche, Rue de Seine by Annie Cardin, Image 1.

    Annie Cardin

    Marche, Rue de Seine, c. 1963

    Lithograph on paper

    22.5 x 29 in (57.15 x 73.66 cm)

  7. Grand Street Station by Todd Webb, Image 1.

    Todd Webb

    Grand Street Station, 1946

    Gelatin silver print

    20 x 16 in (50.8 x 40.64 cm)

  8. Alphonse d'Avalon, Marquis de Gaust by Jean Charles Thevenin, Image 1.

    Jean Charles Thevenin

    Alphonse d'Avalon, Marquis de Gaust, 1867

    Engraving on paper

    14.75 x 11.75 in (37.47 x 29.85 cm)

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About the artist

Reginald Pollack

American

1921-2001

Reginald Pollack first studied art under Moses Soyer at the High School of Music and Art in New York. He served in World War II in the 87th Mountain Infantry, and post-war, Pollack studied the G.I. Bill in Paris and lived there until 1961. He began exhibiting works during the early 1950’s at the Peridot Gallery in New York where he also taught at Cooper Union and Yale University. Later, Pollack settled in Los Angeles in 1963 and exhibited at the Felix Landau and Jefferson Galleries. His works represent heavy influence by Cézanne and Bonnard with themes ranging from portraits to landscapes, as well as metaphysical images. In the early 1960’s, he developed a more efficient method of creating lithographs by utilizing a special plastic base. His works can be found at the Metropolitan Museum of Art, the Stanford University Museum of Art and many other museums.