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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Gegorge Johns by Gene Merritt, Image 1.

    Gene Merritt

    Gegorge Johns, 2012

    Ink on paper

    11 x 8.5 in (27.94 x 21.59 cm)

  2. Artist's Right Today by Robert Rauschenberg, Image 2.

    Robert Rauschenberg

    Artist's Right Today, 1981

    Embossed lithograph on paper

    39.5 x 27 in (100.33 x 68.58 cm)

  3. Mary Lee and Belinda by Andy Warhol, Image 1.

    Andy Warhol

    Mary Lee and Belinda, 1980

    Polaroid

    4.25 x 3.375 in (10.8 x 8.57 cm)

  4. Canterbury Tales by Dame Elisabeth Frink, Image 1.

    Dame Elisabeth Frink

    Canterbury Tales, 1972

    Etching on paper

    31.5 x 22.875 in (80.01 x 58.1 cm)

  5. BA-1 by Norman Ives, Image 1.

    Norman Ives

    BA-1, 1970

    Relief embossing on paper

    18 x 18 in (45.72 x 45.72 cm)

  6. Abstract Landscape by David Lan Bar, Image 1.

    David Lan Bar

    Abstract Landscape, c. 1960

    Lithograph on paper

    26.75 x 22.875 in (67.95 x 58.1 cm)

  7. Where's Charlie? by Carmen Louis Cicero, Image 1.

    Carmen Louis Cicero

    Where's Charlie?, 1960

    Lithograph on paper

    16 x 20 in (40.64 x 50.8 cm)

  8. Ekstasis (Torso) by Barbara Morgan, Image 1.

    Barbara Morgan

    Ekstasis (Torso), 1935

    Gelatin silver print

    19.875 x 16 in (50.48 x 40.64 cm)

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About the artist

Kenneth Martin

British

1905-1989

British painter and sculptor. Led the revival of Constructivist Art in the 1940s. Studied at the Royal College of Art in 1929-1932. Became an abstract painter and sculptor after nearly two decades of painting Realist portraits and landscapes—a radical shift to abstract from material, non-representational from representational, geometric from organic. Heavily influenced by Kazimir Malevich, the father of Constructivism, and Alexander Calder, an American sculptor known for his innovative mobiles. Created geometric abstract works in both painting and kinetic sculpture.