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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Wai'anae 3751 by Matthew Brandt, Image 1.

    Matthew Brandt

    Wai'anae 3751, 2016

    Chromogenic print buried in Wai'anae, Hawai'i

    36.5 x 4.5 in (92.71 x 11.43 cm)

  2. Black Ice by James Welling, Image 1.

    James Welling

    Black Ice, 2010

    Pigment print

    10.625 x 16 in (26.99 x 40.64 cm)

  3. Guanajuato I, from the series Cities by Sze Tsung Nicolás Leong, Image 1.

    Sze Tsung Nicolás Leong

    Guanajuato I, from the series Cities, 2009

    Chromogenic print on board

    43.5 x 54.5 in (110.49 x 138.43 cm)

  4. Overview Nazca, from the Heightened Perspectives series by Marilyn Bridges, Image 1.

    Marilyn Bridges

    Overview Nazca, from the Heightened Perspectives series, 1988

    Gelatin silver print

    14.5 x 18.5 in (36.83 x 46.99 cm)

  5. Wedding, Long Central Neck, NYC, Social Context by Larry Fink, Image 1.

    Larry Fink

    Wedding, Long Central Neck, NYC, Social Context, 1988

    Gelatin silver print

    19.875 x 15.875 in (50.48 x 40.32 cm)

  6. Benny Andrews, New York, N.Y. by William R. Ferris, Image 1.

    William R. Ferris

    Benny Andrews, New York, N.Y., 1982

    Gelatin silver print

    9 x 13.5 in (22.86 x 34.29 cm)

  7. Julie Andrews by Philippe Halsman, Image 2.

    Philippe Halsman

    Julie Andrews, 1963

    Gelatin silver print

    13.875 x 11 in (35.24 x 27.94 cm)

  8. Prodigal Son by Thomas Hart Benton, Image 2.

    Thomas Hart Benton

    Prodigal Son, 1939

    Lithograph on paper

    10.75 x 13.625 in (27.31 x 34.61 cm)

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About the artist

Carmen Louis Cicero

American

b. 1926

American artist. Cicero studied at Hunter College alongside Robert Motherwell and Hans Hofmann. His early drawings and works were based on his memories of places, but after losing all his works in a fire, Cicero moved to New York City to start anew. Here, he evolved a unique style characterized by figural distortion and cartoonlike scenes. Originally, Cicero's work was surrealist in style, however, over time his work aligned with Chicago Imagism of the 1970s and Neo-Expressionism.