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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. We Three by Donald Richard Sexauer, Image 1.

    Donald Richard Sexauer

    We Three, 1976

    Etching on paper

    8 x 10.875 in (20.32 x 27.62 cm)

  2. Camels by Julian Trevelyan, Image 1.

    Julian Trevelyan

    Camels, 1972

    Etching on paper

    30.5 x 23.25 in (77.47 x 59.06 cm)

  3. New York Suite - Grey/Blue by John Hoyland, Image 1.

    John Hoyland

    New York Suite - Grey/Blue, 1971

    Screenprint on paper

  4. Después, ahora, ahora, antes (Then, now, now, before) by Juan Genovés, Image 1.

    Juan Genovés

    Después, ahora, ahora, antes (Then, now, now, before), 1970

    Etching on paper

    19.8125 x 25.9375 in (50.32 x 65.88 cm)

  5. These & Those (Orange) by Noemi Smilansky, Image 1.

    Noemi Smilansky

    These & Those (Orange), 1969

    Etching on paper

    29.5 x 20.75 in (74.93 x 52.71 cm)

  6. Ten Pound Hammer by Thomas Hart Benton, Image 1.

    Thomas Hart Benton

    Ten Pound Hammer, 1967

    Lithograph on paper

    13.625 x 9.75 in (34.61 x 24.77 cm)

  7. The Quack by Adriaen van Ostade, Image 1.

    Adriaen van Ostade

    The Quack, 19th century, from original 17th century plate

    Etching (?) on paper

    6 x 5 in (15.24 x 12.7 cm)

  8. Untitled by Arthur Segal, Image 1.

    Arthur Segal

    Untitled, No date

    Woodcut on paper

    15.25 x 23 in (38.74 x 58.42 cm)

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About the artist

Thomas Hart Benton

American

1889–1975

Modern American painter and muralist during the decades preceding World War II. Thomas Hart gained fame as a Regionalist painter and focused on people and culture of the American midwest. His work focused on themes of ordinary people and common lore. He also explored sound and music as a method of communication. His interest in sounds manifested in vernacular songs and instruments, as well as dialogues. Thomas Hart was also known for his claims against art critics and museums.