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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. When Are All The Hands by Kaitlyn S. C. Hatch, Image 1.

    Kaitlyn S. C. Hatch

    When Are All The Hands, 2024

    Mixed media on paper

  2. From Some Thames (Group J) by Roni Horn, Image 6.

    Roni Horn

    From Some Thames (Group J), 2020

    Photograph printed on paper

    25 x 38 in (63.5 x 96.52 cm)

  3. Big Bend Panorama in 4 parts (far left) by Libbie J. Masterson, Image 1.

    Libbie J. Masterson

    Big Bend Panorama in 4 parts (far left), 2009

    Archival inkjet print

    16 x 24 in (40.64 x 60.96 cm)

  4. Project I by Garo Zareh Antreasian, Image 1.

    Garo Zareh Antreasian

    Project I, 1977

    Lithograph on paper

    19.625 x 25.625 in (49.85 x 65.09 cm)

  5. Gary Trudeaau by Andy Warhol, Image 1.

    Andy Warhol

    Gary Trudeaau, 1974

    Polaroid

    4.25 x 3.375 in (10.8 x 8.57 cm)

  6. Sun Flower Girls by Karel Appel, Image 1.

    Karel Appel

    Sun Flower Girls, 1974

    Lithograph on paper

  7. Proscenium I by Richard Smith, Image 1.

    Richard Smith

    Proscenium I, 1971

    Etching on paper

    30.625 x 23 in (77.79 x 58.42 cm)

  8. Arc Within a Square VI by Gordon House, Image 1.

    Gordon House

    Arc Within a Square VI, 1971

    Etching on paper

    24.75 x 17.875 in (62.87 x 45.4 cm)

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About the artist

Victor Vasarely

French-Hungarian

1906-1997

Victor Vasarely (1906–1997) was a French-Hungarian artist often credited as the grandfather of the Op Art movement. He began creating work that explored movement and illusions as early as the 1930s. Vasarely received formal training at the Muhely Academy in Budapest and was interested in the intersection of science and art, a theme evident in his kinetic paintings. Following his inclusion in the Museum of Modern Art’s "The Responsive Eye" exhibition in 1965, Vasarely gained widespread acclaim and international recognition for his contributions to the Op Art movement.