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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Mourning by Lisa Kereszi, Image 1.

    Lisa Kereszi

    Mourning, 2023

    Artist book

    12 x 18.25 x 0.25 in (30.48 x 46.36 x 0.64 cm)

  2. Float like a Butterfly, Sting like a Bee by William Villalongo, Image 1.

    William Villalongo

    Float like a Butterfly, Sting like a Bee, 2020

    Acrylic, drinking gourds, beads, velvet flock, glitter flock, velour paper and pigment print mounted on hardboard

  3. Untitled, #50 from the Infanta series by Ralph Gibson, Image 1.

    Ralph Gibson

    Untitled, #50 from the Infanta series, 2012

    Gelatin silver print

    12.5714 x 8.333 in (31.93 x 21.17 cm)

  4. Woman Dancing for Small Crowd, Trixies, NYC, Social Context by Larry Fink, Image 1.

    Larry Fink

    Woman Dancing for Small Crowd, Trixies, NYC, Social Context, 1990

    Gelatin silver print

    19.875 x 15.875 in (50.48 x 40.32 cm)

  5. North Dakota Print Studio by Kenneth Freed, Image 1.

    Kenneth Freed

    North Dakota Print Studio, 1973

    Etching and aquatint on paper

    27.375 x 35.375 x 1.5 in (69.53 x 89.85 x 3.81 cm)

  6. Untitled by Richard Howard Hunt, Image 1.

    Richard Howard Hunt

    Untitled, 1972

    Lithograph on paper

    31.25 x 38.875 in (79.38 x 98.74 cm)

  7. L'Eglise A Travers Les Arbres by André Dunoyer de Segonzac, Image 1.

    André Dunoyer de Segonzac

    L'Eglise A Travers Les Arbres, 1954

    Etching on paper

    9 x 6.75 in (22.86 x 17.15 cm)

  8. Sitzender Mannlicher Akt by Käthe Kollwitz, Image 1.

    Käthe Kollwitz

    Sitzender Mannlicher Akt, 1891

    Etching on paper

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About the artist

William Scott

British

1913-1989

British painter. Known for his non-objective works that explore the space between abstraction and figuration due to his interest in themes of still-life, landscape and the female nude. Attended the Belfast School of Art before painting at the Royal Academy Schools. Exhibited at the Paris Salon d’Automne, 1938. Joined the army in July 1942 with the Royal Army Ordnance Corps and then as a lithographic draughtsman with the Royal Engineers. Taught at the Bath Academy of Art as Senior Painting Master before painting full-time from 1956 onward. Represented Great Britain at the 1958 Venice Biennale and at the 1961 São Paulo Bienal where he won the Sanbra (International Critics) Purchase Prize, amongst others.