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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Jerry Louis, 2003 by Gene Merritt, Image 1.

    Gene Merritt

    Jerry Louis, 2003, 2003

    Ink on paper

    11 x 8.5 in (27.94 x 21.59 cm)

  2. Untitled (A) by Joel Shapiro, Image 1.

    Joel Shapiro

    Untitled (A), 2003

    Woodcut printed on Gampi paper, mounted onto Hanga Dosa paper

    19 x 26.5 in (48.26 x 67.31 cm)

  3. Collaboration: Slab by Jim McCormick, Image 1.

    Jim McCormick

    Collaboration: Slab, 1979

    Lithograph on paper

    16.125 x 11.25 in (40.96 x 28.58 cm)

  4. Ann Beatrix by John Talleur, Image 1.

    John Talleur

    Ann Beatrix, 1976

    Etching on paper

    14 x 11 in (35.56 x 27.94 cm)

  5. Amsterdam by Julian Trevelyan, Image 1.

    Julian Trevelyan

    Amsterdam, 1973

    Etching on paper

    24 x 30.5 in (60.96 x 77.47 cm)

  6. Fifth Print by Bernard Cohen, Image 1.

    Bernard Cohen

    Fifth Print, 1973

    Etching on paper

    16.75 x 16.8125 in (42.55 x 42.7 cm)

  7. Cellist by Rosemarie Beck, Image 1.

    Rosemarie Beck

    Cellist, c. 1960

    Lithograph on paper

    12.625 x 9.875 in (32.07 x 25.08 cm)

  8. Navajo Transitional Eyedazzler by Unknown, Image 1.

    Unknown

    Navajo Transitional Eyedazzler, c. 1890

    Handspun wool; hand-woven

    75 x 58 in (190.5 x 147.32 cm)

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About the artist

Richard Howard Hunt

American

1935-2023

Richard Hunt was an American sculptor who is famous for his contemporary and abstract, metal sculptural works. He started creating his artworks using clay in his bedroom. In the following years, he was inspired by works of Julio González and taught himself metal-welding technique. He spent the next ten years experimenting with welded and cast steel, aluminum, copper, and bronze to create organic shapes. He was awared many prizes such as Logan, Palmer, and Campana, and served as a visiting professor in many universities. He has had numerous one-man and group exhibitions; the most famous one being his solo retrospective exhibition at the Museum of Modern Art in New York in 1971.