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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Kin/Kindred by Sarah Elizabeth Cornejo, Image 1.

    Sarah Elizabeth Cornejo

    Kin/Kindred, 2020

    Mixed media

    50 x 19.5 x 29 in (127.0 x 49.53 x 73.66 cm)

  2. Weevil Roost by Kyle Field, Image 1.

    Kyle Field

    Weevil Roost, 2006

    Watercolor on paper

    8.5 x 8.5 in (21.59 x 21.59 cm)

  3. Mary Ellen Mark

    Roy Cohn with American Flag, from the portfolio "In America", 1986

    Gelatin silver print

    13.875 x 10.875 in (35.24 x 27.62 cm)

  4. Carol Soffer by Andy Warhol, Image 1.

    Andy Warhol

    Carol Soffer, 1980

    Polaroid

    4.25 x 3.375 in (10.8 x 8.57 cm)

  5. Arc by Doug Warner, Image 1.

    Doug Warner

    Arc, 1974

    Lithograph on paper

    30 x 22.25 in (76.2 x 56.52 cm)

  6. Untitled by Jerry Rothman, Image 1.

    Jerry Rothman

    Untitled, 1974

    Lithograph on paper

    24.25 x 32.625 in (61.6 x 82.87 cm)

  7. Memorial Park Dedication by Richard Swanson, Image 1.

    Richard Swanson

    Memorial Park Dedication, 1950

    Gelatin silver print

    11 x 14 in (27.94 x 35.56 cm)

  8. Ray Bolger by Philippe Halsman, Image 2.

    Philippe Halsman

    Ray Bolger, 1949

    Gelatin silver print

    13.5 x 10.5 in (34.29 x 26.67 cm)

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About the artist

André Dunoyer de Segonzac

French

1884-1974

French painter, printmaker, and graphic artist. Segonzac studied at the Free Academy of Luc-Olivier Merson and found the academic style stifling. After a period of military service, he attended Academie de La Palette under Jacques Emile Blanche. In 1906, he launched his as artistic career independently from his masters, and in 1908, he submitted his works to the Salon d’Automne and to the Salon des Independants in the following year. He became member of Section d’Or shortly thereafter and was one of the modernists included in the Armory Show in New York in 1913. He was drafted in WWI, during which he published and exhibited a number of war drawings. In 1919, he learned etching and published etchings to illustrate the The Wooden Crosses, by Rolad Dorgeles, and later the Georgics of Virgil. Oil paintings reflect his admiration of Courbet and Cezanne and painted landscapes, still lives, and nudes.