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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Livre como uma borboleta by Larissa de Souza, Image 1.

    Larissa de Souza

    Livre como uma borboleta, 2022

    Acrylic and mixed media on linen

    76.75 x 49.75 in (194.95 x 126.37 cm)

  2. Untitled (San Francisco Women’s March, 2017) by Alvin C. Jacobs, Image 1.

    Alvin C. Jacobs

    Untitled (San Francisco Women’s March, 2017), 2017

    Digital print on paper

    12 x 18 in (30.48 x 45.72 cm)

  3. Sleepwatcher by Frank Huntington Stack, Image 1.

    Frank Huntington Stack

    Sleepwatcher, 1979

    Lithograph on paper

    18.125 x 13.625 in (46.04 x 34.61 cm)

  4. Untitled, from Jamaica Botanical Series by William Eggleston, Image 1.

    William Eggleston

    Untitled, from Jamaica Botanical Series, c. 1978

    Chromogenic print

    13.875 x 16.875 in (35.24 x 42.86 cm)

  5. Marauders I by Kenneth Kerslake, Image 1.

    Kenneth Kerslake

    Marauders I, 1977

    Photo etching on paper

    29.75 x 22.25 in (75.57 x 56.52 cm)

  6. Study of Michael Rothenstein by Harvey Breverman, Image 1.

    Harvey Breverman

    Study of Michael Rothenstein, 1973

    Lithograph on paper

    26.125 x 22.25 in (66.36 x 56.52 cm)

  7. Richard Ziemann

    Stody Hill, 1970

    Etching on paper

    29.75 x 39.5 in (75.57 x 100.33 cm)

  8. Harper's Pictorial History of the Civil War (The March from Williamsburg) by Unknown, Image 1.

    Unknown

    Harper's Pictorial History of the Civil War (The March from Williamsburg), 1862

    Etching and engraving on paper

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About the artist

Kristina Rogers

American (b. Germany)

1945-2011

Kristina Rogers was a photographer born in Heidelberg, Germany on February 11, 1945, just months before the end of World War II. After the war, her family emigrated first to London, England in 1947, and then to the United States in 1950. When Rogers was nine years old, her family moved to Charlotte, North Carolina. In the 1960s, Rogers returned to London to study art at the Inchbaud School of Design, where she was drawn to 19th-century Romanticism. She is known for her multi-layered photography using overlapping negatives to combine personal, historical, religious, and mythological imagery. Her work has exhibited at the Columbia Museum of Art, SC and is in the permanent collection of the Mint Museum, Charlotte, NC and the North Carolina Museum of Art.