Fine Square gathers a small body of work in a 50×50 cm format, framed in oak with a shadow gap — the same frame that later carries Susanne Herbold's larger paintings such as Breakfast in Paris and Dinner in Rio. Conceived as an intimate counterpart to that larger body of work, Fine Square carries the same square discipline as me-square into a more refined, concentrated presence — a quiet contrast to the raw immediacy of the RAW series.