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By 2010, Chris had painted the Georgian Bay shoreline so many times that he knew it in his hands as much as his eyes. Nexus shows what that knowledge looks like when it’s set free — the pine, the granite, the sky reduced to pure gesture, colour, and movement. Of all the small canvases he made in his final months, this is the most abstract, and perhaps the most assured. The title — nexus, a point of connection — suggests what the painting enacts: the place where rock, tree, water, and sky meet and become one thing.

From Chris James Cooper

  1. Georgian Bay Sentinel by Chris James Cooper, Image 1.

    Georgian Bay Sentinel, 2010

    Oil On Canvas

    30 x 120 x 1 in (76.2 x 304.8 x 2.54 cm)

    $28,800

  2. Killarney Shoreline, Dusk by Chris James Cooper, Image 1.

    Killarney Shoreline, Dusk, c. 2010

    Oil On Canvas

    20 x 16 x 1 in (50.8 x 40.64 x 2.54 cm)

    $2,560

  3. Windswept, Killarney by Chris James Cooper, Image 1.

    Windswept, Killarney, c. 2010

    Oil On Canvas

    16 x 20 x 1 in (40.64 x 50.8 x 2.54 cm)

    $2,560

  4. Unfinished Symphony: One of the Last Works, Georgian Bay (2010) by Chris James Cooper, Image 1.

    Unfinished Symphony: One of the Last Works, Georgian Bay (2010), c. 2010

    Oil on canvas

    30 x 40 x 1 in (76.2 x 101.6 x 2.54 cm)

  5. The Texture of Time II by Chris James Cooper, Image 1.

    The Texture of Time II, 2010

    Oil on canvas

    16 x 20 x 1 in (40.64 x 50.8 x 2.54 cm)

    $2,560

  6. The Texture of Time by Chris James Cooper, Image 1.

    The Texture of Time, 2010

    Oil on canvas

    16 x 20 x 1 in (40.64 x 50.8 x 2.54 cm)

    $2,560

  7. Wind Swept Ridge, Georgian Bay by Chris James Cooper, Image 1.

    Wind Swept Ridge, Georgian Bay, 2010

    Oil on canvas

    16 x 20 x 1 in (40.64 x 50.8 x 2.54 cm)

    $2,560

  8. The Wind’s Eye by Chris James Cooper, Image 1.

    The Wind’s Eye, 2010

    Oil on canvas

    16 x 16 x 1 in (40.64 x 40.64 x 2.54 cm)

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