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Additional Artworks

From VillageOne Art

  1. stupid cupid by Eri King, Image 1.

    Eri King

    stupid cupid, 2024

    Acrylic on canvas

    24 x 24 in (60.96 x 60.96 cm)

  2. Summer-flavored cubic by Yong Eun Kwon, Image 1.

    Yong Eun Kwon

    Summer-flavored cubic, 2024

    Acrylic on panel

    16 x 16 in (40.64 x 40.64 cm)

  3. Sunny can eat a turnpike by Chukwuemeka Anthony Chukwu (Emeka.CkA), Image 1.

    Chukwuemeka Anthony Chukwu (Emeka.CkA)

    Sunny can eat a turnpike, 2024

    Acrylic on wood panel

    18 x 24 in (45.72 x 60.96 cm)

  4. Sunset in October II by Cydney Williams, Image 1.

    Cydney Williams

    Sunset in October II, 2024

    Watercolor on paper handmade from Bhutan made from the edgeworthia plant

    6 x 4 in (15.24 x 10.16 cm)

  5. Sunset in October I by Cydney Williams, Image 1.

    Cydney Williams

    Sunset in October I, 2024

    Watercolor on paper handmade from Bhutan made from the edgeworthia plant

    6 x 4 in (15.24 x 10.16 cm)

  6. Summer Day by Cydney Williams, Image 1.

    Cydney Williams

    Summer Day, 2024

    Watercolor on paper

    3 x 5 in (7.62 x 12.7 cm)

  7. Taking Root by Leah Schrager, Image 1.

    Leah Schrager

    Taking Root, 2024

    Inkjet print on Agave Hahnemühle Paper

    20 x 14 in (50.8 x 35.56 cm)

  8. Taffy pull by Justin Natividad, Image 1.

    Justin Natividad

    Taffy pull, 2024

    Oil on canvas

    12 x 12 in (30.48 x 30.48 cm)

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About the artist

Chukwuemeka Anthony Chukwu (Emeka.CkA)

b. 1998

Chukwuemeka (B. 1998, Nigeria) continuously bridges disciplines from his upbringing, critical interests of gaming, technology, culture and Architecture. He primarily Paints and makes a selective addition of complimentary media like tapes, collage with moments of them applied to 3d elements , at times, does a bit of storytelling of mini experiences. His work may be charged with and spark discussions surrounding race, housing developments and how they intersect with his reality. He envisions complimentary to the very intuitive creative processes arrived at.



Emeka moved from Nigeria in 2016 to study architecture at Maryland Institute College of art and pursued his MFA at School of Visual Arts, NY. He has exhibited extensively throughout the United States including, Community College of Baltimore County, a solo exhibition at Catonsville gallery I N S I D E TH E C A D M U S, and a solo show in Eubie Blake Cultural Center Baltimore MD. A selection of group exhibitions include, CulturalDC and Villageoneart. Additionally, his work has been acquired by one of Baltimore’s premier law firms Gordon Feinblatt LLC. He’s been featured in a Nigerian News Publication, and Vanguard News upon the opening of his solo show at the Baltimore community college.