Driven by curiosity, Cydney has found herself emerged and commenting on the expanding yet interconnected world around her. This expansion includes the desensitized reality that our humanity is often defaulted to in order to survive today’s culture of over-saturation and the race to unravel the madness derived from the fear of the unknown. Cydney strives to combat this fear and leave a space charged with joy; to enter into the possibility of the unknown. Through paintings and installations, Cydney depicts resilience through an experience as a tangible depiction of an expressed lesson from her journey, attempting to arm the viewer with the energy of the process that always ends with the gratitude of participation regardless of the situation, which in return Cydney hopes connects the viewer back to their own personal reflective journey for the gratitude of being a living soul of love, not necessarily a story bound by narrative.
Additional Artworks
From VillageOne Art
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Xinyu Wo
The Marriage of Figaro, 2024
Oil on canvas
60 x 48 in (152.4 x 121.92 cm)
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Inga Khurieva
The Last Supper, 2024
Oil on canvas
60 x 48 in (152.4 x 121.92 cm)
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Chukwuemeka Anthony Chukwu (Emeka.CkA)
Sunny can eat a turnpike, 2024
Acrylic on wood panel
18 x 24 in (45.72 x 60.96 cm)
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Cydney Williams
Sunset in October I, 2024
Watercolor on paper handmade from Bhutan made from the edgeworthia plant
6 x 4 in (15.24 x 10.16 cm)
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Leah Schrager
Taking Root, 2024
Inkjet print on Agave Hahnemühle Paper
20 x 14 in (50.8 x 35.56 cm)
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Justin Natividad
Taffy pull, 2024
Oil on canvas
12 x 12 in (30.48 x 30.48 cm)
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Justin Natividad
Sweet heat, 2024
Oil on canvas
18 x 18 in (45.72 x 45.72 cm)
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Deng Xiao
The Impermanence of Black and White, 2024
Oil on canvas
47.2 x 78.7 in (119.89 x 199.9 cm)