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Additional Artworks

From VillageOne Art

  1. Moment 03 by Xinxin Din, Image 1.

    Xinxin Din

    Moment 03, 2021

    Oil on canvas

    11.8 x 7.9 in (29.97 x 20.07 cm)

  2. Morava by Hana Shannon, Image 1.

    Hana Shannon

    Morava, 2021

    Oil on canvas

    38 x 48 in (96.52 x 121.92 cm)

  3. Shadow of A GreenHouse by Timon I, Image 1.

    Timon I

    Shadow of A GreenHouse, 2021

    Oil on canvas

    64 x 44 in (162.56 x 111.76 cm)

  4. Self-portrait by Inga Khurieva, Image 1.

    Inga Khurieva

    Self-portrait, 2021

    Oil on canvas

    40 x 30 in (101.6 x 76.2 cm)

  5. Out on the Lawn by Brian Brown, Image 1.

    Brian Brown

    Out on the Lawn, 2021

    Oil on linen

    34 x 65 in (86.36 x 165.1 cm)

  6. One must imagine she's happy, just like Sisyphus by Timon I, Image 1.

    Timon I

    One must imagine she's happy, just like Sisyphus, 2021

    Oil on canvas

    58 x 44 in (147.32 x 111.76 cm)

  7. Quantum Punch by Iris Kufert-Rivo, Image 1.

    Iris Kufert-Rivo

    Quantum Punch, 2021

    Acrylic and oil on linen

    42.5 x 60 in (107.95 x 152.4 cm)

  8. Peel by Iris Kufert-Rivo, Image 1.

    Iris Kufert-Rivo

    Peel, 2021

    Oil on panel

    24 x 24 in (60.96 x 60.96 cm)

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About the artist

Luo Min

b. 1968

Luo Min (b.1968, Sichuan, China) Graduated from the China Southwest Normal University, and received MA from the People’s Liberation Army Academy of Art. Luo Min is a first-class national artist, a committee member of the China Oil Painting Society, and a professional painter at the Beijing Fine Art Academy. She has held exhibitions across Asia and Europe.

Luo’s work is a synthesis of reality, memory and symbolism. Well-versed in Western realism painting and traditional Chinese gongbi and mogu techniques, this gives Luo Min great versatility in her artistic expression. The artist adopts a traditional yet creative painting language and retains the traces of time through elegant inscriptions. Family albums and childhood memories provide the subjects for her works. On the basis of this, she uses flowers and birds as her ideal motifs to create an artistic language that is compatible with the East and the West. They allude to a sense of sincerity and emotionalism that is captured more because of how she sees than of her gifted skills. On a thematic level, her emotionally charged paintings gain energy from the frictional contrast they stand in relation to the contemporary art scene and the crumbling world we live in.