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Luo Min

b. 1968

Beijing, Beijing, China

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  1. A Realist Rose by Luo Min, Image 2.

    Luo Min

    A Realist Rose, 2025

    Oil on linen

    7.9 x 7.9 in (20.07 x 20.07 cm)

  2. The Nine Colored Deer and Bada Shanren’s Bird by Luo Min, Image 1.

    Luo Min

    The Nine Colored Deer and Bada Shanren’s Bird, 2024

    Oil on canvas

    15 x 7 x 4 in (38.1 x 17.78 x 10.16 cm)

  3. Cat Ding Ding and Rose by Luo Min, Image 1.

    Luo Min

    Cat Ding Ding and Rose, 2024

    Oil on wood

    13.4 x 11.8 in (34.04 x 29.97 cm)

  4. Them No.4 by Luo Min, Image 1.

    Luo Min

    Them No.4, 2023

    Paper, ink, water-based pigment

    15.7 x 16.5 in (39.88 x 41.91 cm)

  5. Them No.3 by Luo Min, Image 1.

    Luo Min

    Them No.3, 2023

    Paper, ink, water-based pigment

    15.7 x 16.5 in (39.88 x 41.91 cm)

  6. Them No.2 by Luo Min, Image 1.

    Luo Min

    Them No.2, 2023

    Paper, ink, water-based pigment

    15.7 x 16.5 in (39.88 x 41.91 cm)

  7. Them No.1 by Luo Min, Image 1.

    Luo Min

    Them No.1, 2023

    Paper, ink, water-based pigment

    15.7 x 16.5 in (39.88 x 41.91 cm)

  8. No.27 Flowers Collection by Luo Min, Image 1.

    Luo Min

    No.27 Flowers Collection, 2021

    Oil on canvas

    15 x 4 in (38.1 x 10.16 cm)

  9. The Roses Blossom in November Rain by Luo Min, Image 1.

    Luo Min

    The Roses Blossom in November Rain, 2020

    Chinese Pigment on Synthetic Paper

    16 x 13 in (40.64 x 33.02 cm)

Luo Min (b.1968, Sichuan, China) Graduated from the China Southwest Normal University, and received MA from the People’s Liberation Army Academy of Art. Luo Min is a first-class national artist, a committee member of the China Oil Painting Society, and a professional painter at the Beijing Fine Art Academy. She has held exhibitions across Asia and Europe.

Luo’s work is a synthesis of reality, memory and symbolism. Well-versed in Western realism painting and traditional Chinese gongbi and mogu techniques, this gives Luo Min great versatility in her artistic expression. The artist adopts a traditional yet creative painting language and retains the traces of time through elegant inscriptions. Family albums and childhood memories provide the subjects for her works. On the basis of this, she uses flowers and birds as her ideal motifs to create an artistic language that is compatible with the East and the West. They allude to a sense of sincerity and emotionalism that is captured more because of how she sees than of her gifted skills. On a thematic level, her emotionally charged paintings gain energy from the frictional contrast they stand in relation to the contemporary art scene and the crumbling world we live in.