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Additional Artworks

From VillageOne Art

  1. A Fresh start by Joe Velez, Image 3.

    Joe Velez

    A Fresh start, 2025

    Oil on canvas

    36 x 24 in (91.44 x 60.96 cm)

  2. A Passing Feeling by Lauryn Casey, Image 1.

    Lauryn Casey

    A Passing Feeling, 2025

    Acrylic on canvas

    20 x 16 in (50.8 x 40.64 cm)

  3. Abandon by Deng Xiao, Image 1.

    Deng Xiao

    Abandon, 2025

    Oil on canvas

    41.5 x 33.5 in (105.41 x 85.09 cm)

  4. After the Storm 5 by Kristian Battell, Image 1.

    Kristian Battell

    After the Storm 5, 2025

    Acrylic on canvas

    10 x 10 in (25.4 x 25.4 cm)

  5. After the Storm 4 by Kristian Battell, Image 1.

    Kristian Battell

    After the Storm 4, 2025

    Acrylic on canvas

    10 x 10 in (25.4 x 25.4 cm)

  6. After the Storm 3 by Kristian Battell, Image 1.

    Kristian Battell

    After the Storm 3, 2025

    Acrylic on canvas

    10 x 10 in (25.4 x 25.4 cm)

  7. After the Storm 2 by Kristian Battell, Image 1.

    Kristian Battell

    After the Storm 2, 2025

    Acrylic on canvas

    10 x 10 in (25.4 x 25.4 cm)

  8. After the Storm by Kristian Battell, Image 1.

    Kristian Battell

    After the Storm, 2025

    Acrylic on canvas

    10 x 10 in (25.4 x 25.4 cm)

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About the artist

Luo Min

b. 1968

Luo Min (b.1968, Sichuan, China) Graduated from the China Southwest Normal University, and received MA from the People’s Liberation Army Academy of Art. Luo Min is a first-class national artist, a committee member of the China Oil Painting Society, and a professional painter at the Beijing Fine Art Academy. She has held exhibitions across Asia and Europe.

Luo’s work is a synthesis of reality, memory and symbolism. Well-versed in Western realism painting and traditional Chinese gongbi and mogu techniques, this gives Luo Min great versatility in her artistic expression. The artist adopts a traditional yet creative painting language and retains the traces of time through elegant inscriptions. Family albums and childhood memories provide the subjects for her works. On the basis of this, she uses flowers and birds as her ideal motifs to create an artistic language that is compatible with the East and the West. They allude to a sense of sincerity and emotionalism that is captured more because of how she sees than of her gifted skills. On a thematic level, her emotionally charged paintings gain energy from the frictional contrast they stand in relation to the contemporary art scene and the crumbling world we live in.