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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. I am a man by Shepard Fairey, Image 2.

    Shepard Fairey

    I am a man, 2020

    Silkscreen on paper

    35.8 x 24 in (90.93 x 60.96 cm)

  2. Untitled (I Have Been to Hell and Back) by Louise Bourgeois, Image 1.

    Louise Bourgeois

    Untitled (I Have Been to Hell and Back), 2007

    Embroidered handkerchief

    11.75 x 11.75 in (29.85 x 29.85 cm)

  3. Crystal Ball by Hunt Slonem, Image 1.

    Hunt Slonem

    Crystal Ball, 1980

    Silkscreen on paper

    22 x 30 in (55.88 x 76.2 cm)

  4. Literary Critic by Harvey Breverman, Image 1.

    Harvey Breverman

    Literary Critic, 1977

    Lithograph on paper

    22.5 x 30 x 1.5 in (57.15 x 76.2 x 3.81 cm)

  5. Untitled, Green by Peter Phillips, Image 1.

    Peter Phillips

    Untitled, Green, 1974

    Screenprint on paper

    29.375 x 41.375 in (74.61 x 105.09 cm)

  6. January 1973: 11 by Patrick Heron, Image 1.

    Patrick Heron

    January 1973: 11, 1973

    Screenprint on paper

    27.5 x 35.25 in (69.85 x 89.54 cm)

  7. Indian View A by Howard Hodgkin, Image 1.

    Howard Hodgkin

    Indian View A, 1971

    Screenprint on paper

    22.875 x 30.5 in (58.1 x 77.47 cm)

  8. Fat Girl by David Levine, Image 1.

    David Levine

    Fat Girl, 1963

    Lithograph on paper

    17.625 x 13.25 in (44.77 x 33.66 cm)

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About the artist

William Scott

British

1913–1989

British painter. Known for his non-objective works that explore the space between abstraction and figuration due to his interest in themes of still-life, landscape and the female nude. Attended the Belfast School of Art before painting at the Royal Academy Schools. Exhibited at the Paris Salon d’Automne, 1938. Joined the army in July 1942 with the Royal Army Ordnance Corps and then as a lithographic draughtsman with the Royal Engineers. Taught at the Bath Academy of Art as Senior Painting Master before painting full-time from 1956 onward. Represented Great Britain at the 1958 Venice Biennale and at the 1961 São Paulo Bienal where he won the Sanbra (International Critics) Purchase Prize, amongst others.