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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Self-image (car shadows on face) by Anne Noggle, Image 1.

    Anne Noggle

    Self-image (car shadows on face), 1979

    Silver gelatin print

    14 x 17 in (35.56 x 43.18 cm)

  2. Don't Miss America in 1977 by William Weege, Image 1.

    William Weege

    Don't Miss America in 1977, 1976

    Screenprint on paper

    30.125 x 22.25 in (76.52 x 56.52 cm)

  3. The Water-Snakes from The Rime of the Ancient Mariner by Patrick Procktor, Image 1.

    Patrick Procktor

    The Water-Snakes from The Rime of the Ancient Mariner, 1976

    Etching on paper

    25.5 x 19.625 in (64.77 x 49.85 cm)

  4. Metal chairs on front porch, Mississippi Delta, 1975 by William R. Ferris, Image 1.

    William R. Ferris

    Metal chairs on front porch, Mississippi Delta, 1975, 1975

    Chromogenic print

    16.125 x 24 in (40.96 x 60.96 cm)

  5. Wood Pigeons by Dame Elisabeth Frink, Image 1.

    Dame Elisabeth Frink

    Wood Pigeons, 1967

    Lithograph on paper

    21.75 x 30 in (55.25 x 76.2 cm)

  6. Dramatic Works of Shakespeare - The Winter's Tale by John Boydell, Image 1.

    John Boydell

    Dramatic Works of Shakespeare - The Winter's Tale, 1803

    Engraving on paper

    17.25 x 23.25 in (43.82 x 59.06 cm)

  7. Turk, Chicago, Illinois by Larry Fink, Image 2.

    Larry Fink

    Turk, Chicago, Illinois, 1958, printed later

    Archival pigment print

    22 x 17 in (55.88 x 43.18 cm)

  8. Chavinoid Paracas Textile Fragment (The Staff God, Jaguar's Head), Carhua, Peru by Unknown, Image 1.

    Unknown

    Chavinoid Paracas Textile Fragment (The Staff God, Jaguar's Head), Carhua, Peru, ca. 1000-600 BCE

    Cotton textile

    20 x 17.75 in (50.8 x 45.09 cm)

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About the artist

William Scott

British

1913-1989

British painter. Known for his non-objective works that explore the space between abstraction and figuration due to his interest in themes of still-life, landscape and the female nude. Attended the Belfast School of Art before painting at the Royal Academy Schools. Exhibited at the Paris Salon d’Automne, 1938. Joined the army in July 1942 with the Royal Army Ordnance Corps and then as a lithographic draughtsman with the Royal Engineers. Taught at the Bath Academy of Art as Senior Painting Master before painting full-time from 1956 onward. Represented Great Britain at the 1958 Venice Biennale and at the 1961 São Paulo Bienal where he won the Sanbra (International Critics) Purchase Prize, amongst others.