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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Disclosures II by Shan Kelley, Image 1.

    Shan Kelley

    Disclosures II, 2013

    Needle-perforated parchment and printed paper

    35.75 x 24 in (90.81 x 60.96 cm)

  2. Disclosures I by Shan Kelley, Image 1.

    Shan Kelley

    Disclosures I, 2013

    Needle-perforated parchment and printed paper

    35.75 x 24 in (90.81 x 60.96 cm)

  3. Untitled, from the portfolio "Utopia" by Kathleen Laufman, Image 1.

    Kathleen Laufman

    Untitled, from the portfolio "Utopia", 1989

    Linoleum cut on paper

    22.5 x 14.875 in (57.15 x 37.78 cm)

  4. Dark Glasses 6 by Robert Ecker, Image 2.

    Robert Ecker

    Dark Glasses 6, c. 1978

    Mezzotint on paper

    7 x 5 in (17.78 x 12.7 cm)

  5. Comstock #3: Waiting by Jim McCormick, Image 1.

    Jim McCormick

    Comstock #3: Waiting, 1975

    Lithograph on paper

    12 x 15 in (30.48 x 38.1 cm)

  6. Bloom by Herb Jackson, Image 1.

    Herb Jackson

    Bloom, 1975

    Etching on paper

    17.625 x 24 in (44.77 x 60.96 cm)

  7. Athletes by Julian Trevelyan, Image 1.

    Julian Trevelyan

    Athletes, 1973

    Etching on paper

    30.5 x 22.75 in (77.47 x 57.79 cm)

  8. Arthur Segal

    Untitled, No date

    Woodcut on paper

    11.125 x 15.5 in (28.26 x 39.37 cm)

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About the artist

Mickalene Thomas

American

b. 1971

Mickalene Thomas is a Contemporary American artist best known for depictions of African-American women and celebrities through collages of acrylic, enamel, and rhinestones. Often based in photography, Thomas’ practice utilizes both the aesthetics of Western painting and the heavily sexualized blaxploitation films of the 1970s. Through appropriated imagery the artist addresses issues of femininity, race, and beauty alongside personal histories and childhood memories, citing artists such as Carrie Mae Weems and Romare Bearden as early influences. Attend the Pratt Institute in Brooklyn and later received her MFA at the Yale School of Art in 2002.