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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Collaboration: Visitor by Jim McCormick, Image 1.

    Jim McCormick

    Collaboration: Visitor, 1979

    Lithograph on paper

    11.3125 x 16 in (28.73 x 40.64 cm)

  2. Untitled by Doug Warner, Image 1.

    Doug Warner

    Untitled, 1978

    Lithograph on paper

    11.25 x 7.5 in (28.58 x 19.05 cm)

  3. Bench With Cactii by Pat Hardy, Image 1.

    Pat Hardy

    Bench With Cactii, 1977

    Etching on paper

    15.75 x 19.5 in (40.01 x 49.53 cm)

  4. The Very Deep Did Rot from The Rime of the Ancient Mariner by Patrick Procktor, Image 1.

    Patrick Procktor

    The Very Deep Did Rot from The Rime of the Ancient Mariner, 1976

    Etching on paper

    25.5 x 19.5 in (64.77 x 49.53 cm)

  5. Untitled by Peter Agostini, Image 1.

    Peter Agostini

    Untitled, 1974

    Lithograph on paper

    26.375 x 32.1875 in (66.99 x 81.76 cm)

  6. Strata by Herb Jackson, Image 1.

    Herb Jackson

    Strata, 1973

    Lithograph on paper

    22.375 x 29.875 in (56.83 x 75.88 cm)

  7. Lotus by Bernard Childs, Image 1.

    Bernard Childs

    Lotus, 1967

    Collograph on paper

    22.25 x 17.5 in (56.52 x 44.45 cm)

  8. Two Red Boots on Black Ground by Jim Dine, Image 1.

    Jim Dine

    Two Red Boots on Black Ground, 1965

    Screenprint on paper

    24 x 22 in (60.96 x 55.88 cm)

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About the artist

Shan Kelley

Canadian

b. 1977

Canadian mixed media artist. Work is based on recontextualization, biopolitics, and subversion within contemporary culture. The destruction of language and identity are themes that figure prominently in an examination of relationships between body, place, space, and people. Since his HIV+ diagnosis, his work has become an outlet for his anger and advocacy in which he has been inspired to find his own voice within the context of disease and adversity using art as action against stigma, apathy, and surrender.