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From Van Every/Smith Galleries at Davidson College

  1. A Sweet Hell by Trenton Doyle Hancock, Image 1.

    Trenton Doyle Hancock

    A Sweet Hell, 2010

    Etching, aquatint, and spit bite aquatint on paper

    30 x 40 in (76.2 x 101.6 cm)

  2. Untitled (Gourd Teapot) by Richard Bresnahan, Image 1.

    Richard Bresnahan

    Untitled (Gourd Teapot), c. 2006

    Clay

  3. Everything Everywhere is Already Alright by Cort Savage, Image 1.

    Cort Savage

    Everything Everywhere is Already Alright, 2004

    EPDM rubber bands, light box, x-ray, .32 caliber revolver, loaded and cocked

  4. P112 by Herb Jackson, Image 1.

    Herb Jackson

    P112, 1981

    Oil crayon and pencil on paper

    30 x 22 in (76.2 x 55.88 cm)

  5. Self-image (car shadows on face) by Anne Noggle, Image 1.

    Anne Noggle

    Self-image (car shadows on face), 1979

    Silver gelatin print

    14 x 17 in (35.56 x 43.18 cm)

  6. Blossoms in Mid-Air: L by Richard Black, Image 1.

    Richard Black

    Blossoms in Mid-Air: L, 1978

    Etching on paper

    17.5 x 14.875 in (44.45 x 37.78 cm)

  7. Katherine Cornell by Philippe Halsman, Image 2.

    Philippe Halsman

    Katherine Cornell, 1947

    Gelatin silver print

    10.875 x 14 in (27.62 x 35.56 cm)

  8. Notre Dame de la Fin des Terres (Our Lady of the End of the World), from Cirque de l'Étoile Filante (Circus of the Shining Star) by Georges Rouault, Image 1.

    Georges Rouault

    Notre Dame de la Fin des Terres (Our Lady of the End of the World), from Cirque de l'Étoile Filante (Circus of the Shining Star), 1934

    Woodcut on paper

    17.25 x 13.125 in (43.82 x 33.34 cm)

About the artist

Simmons Jones

American

1920-2006