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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Untitled (San Francisco Women’s March, 2017) by Alvin C. Jacobs, Image 1.

    Alvin C. Jacobs

    Untitled (San Francisco Women’s March, 2017), 2017

    Digital print on paper

    12 x 18 in (30.48 x 45.72 cm)

  2. Teaching Capitalism to Nature by Clint Sleeper, Image 1.

    Clint Sleeper

    Teaching Capitalism to Nature, 2014

    Archival pigment print

    32.5 x 41 in (82.55 x 104.14 cm)

  3. Clent Eastwoods, 2001 by Gene Merritt, Image 1.

    Gene Merritt

    Clent Eastwoods, 2001, 2001

    Ink on paper

    12 x 9 in (30.48 x 22.86 cm)

  4. Six Holy Days by Fritz Eichenberg, Image 1.

    Fritz Eichenberg

    Six Holy Days, 1976

    Wood engraving on paper

    9.4375 x 8 in (23.97 x 20.32 cm)

  5. Untitled RH 223LS by Richard Howard Hunt, Image 1.

    Richard Howard Hunt

    Untitled RH 223LS, 1974

    Lithograph on paper

    23.5 x 33.25 in (59.69 x 84.46 cm)

  6. Logo Suite, M by Richard Smith, Image 1.

    Richard Smith

    Logo Suite, M, 1971

    Screenprint on paper

    23.75 x 19.625 x 2 in (60.33 x 49.85 x 5.08 cm)

  7. A Harlot's Progress, Plate 1 by William Hogarth, Image 1.

    William Hogarth

    A Harlot's Progress, Plate 1, 1732

    Engraving on paper

    12 x 14.75 in (30.48 x 37.47 cm)

  8. Japanese Plate by Unknown, Image 1.

    Unknown

    Japanese Plate

    Porcelain

    12.5 x 2 in (31.75 x 5.08 cm)

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About the artist

Cort Savage

American

b. 1965

American sculptor, Cort Savage received a BA in Fine Arts from Indiana University and an MFA in Sculpture from Syracuse University. He was instrumental in establishing the Belk Visual Arts Center on the campus of Davidson College, where he taught sculpture and drawing for thirty years. He retired from Davidson in 2025.

His sculptures are characterized by kinetics and use of rubber-bands. His work has been exhibited throughout the United States, including at the Mint Museum of Art, Cameron Museum of Art, and the New Orleans Center for Contemporary Art. He received numerous grants and fellowships, including from the North Carolina Arts Council, the Southern Arts Federation, and the National Endowment for the Arts.