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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Marilyn Bridges

    Machu Picchu, from the Heightened Perspectives series, 1989

    Gelatin silver print

    16 x 19.5 in (40.64 x 49.53 cm)

  2. Untitled by A.R. Ammons, Image 1.

    A.R. Ammons

    Untitled, 1977

    Watercolor and ink on Arches paper

    24 x 18 in (60.96 x 45.72 cm)

  3. Flower Hand by Karel Appel, Image 1.

    Karel Appel

    Flower Hand, 1974

    Lithograph on paper

  4. Six in Vermilion with Violet in Red by Patrick Heron, Image 1.

    Patrick Heron

    Six in Vermilion with Violet in Red, 1970

    Screenprint on paper

    27.75 x 40 in (70.49 x 101.6 cm)

  5. Ed Sullivan by Philippe Halsman, Image 1.

    Philippe Halsman

    Ed Sullivan, 1967

    Gelatin silver print

    11 x 13.75 in (27.94 x 34.93 cm)

  6. Boatman by Léon Hartl, Image 1.

    Léon Hartl

    Boatman, c. 1965

    Lithograph on paper

    12.5 x 9.75 in (31.75 x 24.77 cm)

  7. Man and Wife Drinking Beer, Coney Island, NY, from Photographer's Choice: Harold Feinstein-Decades Four by Harold Feinstein, Image 1.

    Harold Feinstein

    Man and Wife Drinking Beer, Coney Island, NY, from Photographer's Choice: Harold Feinstein-Decades Four, 1950

    Gelatin silver print

    14.125 x 11.125 in (35.88 x 28.26 cm)

  8. A Rake's Progress, Plate 1 by William Hogarth, Image 1.

    William Hogarth

    A Rake's Progress, Plate 1, 1735

    Engraving on paper

    13.5 x 15.25 in (34.29 x 38.74 cm)

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About the artist

Juan Genovés

Spanish

1930-2020

Spanish painter. Genoves was part of the post-war Spanish art scene, studied at the Valencia Art College. He was concerned with the state of the environment, the opposition movements of the time against the Franco regime, and the interplay of the “individual” and the “crowd." His paintings were largely landscapes, with dull hues to make up “spaces of loneliness” within the crowd. His later work focused on political realism, in which he manipulated images in the media.