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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. I am a man by Shepard Fairey, Image 2.

    Shepard Fairey

    I am a man, 2020

    Silkscreen on paper

    35.8 x 24 in (90.93 x 60.96 cm)

  2. Pale Orange by George Snyder, Image 1.

    George Snyder

    Pale Orange, 1989

    Acrylic on canvas construction

    33 x 34 x 8 in (83.82 x 86.36 x 20.32 cm)

  3. Earth, Heaven and Hell by Howard Finster, Image 1.

    Howard Finster

    Earth, Heaven and Hell, 1987

    Oil on board

    54 x 16.75 in (137.16 x 42.55 cm)

  4. Court Avenue Underpass by Amy Namowitz Worthen, Image 1.

    Amy Namowitz Worthen

    Court Avenue Underpass, 1982

    Engraving on paper

    14.5 x 12.625 in (36.83 x 32.07 cm)

  5. Nude On A Couch by Robert Weaver, Image 1.

    Robert Weaver

    Nude On A Couch, 1980

    Lithograph on paper

    15.25 x 22.5 in (38.74 x 57.15 cm)

  6. Boston Blackie by Robert A. Nelson, Image 1.

    Robert A. Nelson

    Boston Blackie, 1979

    Lithograph on paper

    41.875 x 29.625 in (106.36 x 75.25 cm)

  7. Dante, I Had Not Known That Death Had Undone So Many by Tom Phillips, Image 1.

    Tom Phillips

    Dante, I Had Not Known That Death Had Undone So Many, c. 1975

    Etching on paper

    25.5 x 19.5 in (64.77 x 49.53 cm)

  8. Cityscape by Martin Rosenthal, Image 1.

    Martin Rosenthal

    Cityscape, 1971

    Oil on canvas

    65.75 x 46.75 in (167.01 x 118.75 cm)

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About the artist

William Hogarth

British

1697-1764

London artist in 18th century, renowned for his portrait series, 'conversation pieces,' Hogarth studied under a goldsmith and produced engraved designs in 1710. His works pertained to satirical commentary on the contemporary norms. His work ranged from realistic portraiture to comic-strip like series of pictures called modern moral subjects, the best known being his moral series "A Harlot's Progress," "A Rake's Progress," and "Marriage A-La-Mode."