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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. The World is Breathing by Olivia Crumm, Image 1.

    Olivia Crumm

    The World is Breathing, 2017

    Video

  2. An UFO, 06 by Gene Merritt, Image 1.

    Gene Merritt

    An UFO, 06, 2006

    Ink on paper

    11 x 8.5 in (27.94 x 21.59 cm)

  3. Zebra Nude, New York, 1997, from Nu Zèbre series by Lucien Clergue, Image 1.

    Lucien Clergue

    Zebra Nude, New York, 1997, from Nu Zèbre series, 1997

    Archival pigment print

    11 x 17 in (27.94 x 43.18 cm)

  4. Democratic Ward Committee, Grapevine, North Carolina by Robert Amberg, Image 1.

    Robert Amberg

    Democratic Ward Committee, Grapevine, North Carolina, 1985

    Gelatin silver print

    8 x 12 in (20.32 x 30.48 cm)

  5. Kevin Wrigley

    Untitled, 1975

    Gelatin silver print

    4.75 x 6.5 in (12.07 x 16.51 cm)

  6. Small January 1973: 1 by Patrick Heron, Image 1.

    Patrick Heron

    Small January 1973: 1, c. 1973

    Screenprint on paper mounted to board

    21 x 24.5 in (53.34 x 62.23 cm)

  7. Demon II by José Clemente Orozco, Image 1.

    José Clemente Orozco

    Demon II, 1944, printed 1951

    Aquatint on paper

    22.25 x 14.875 in (56.52 x 37.78 cm)

  8. Andalong and Jicarilli by Roger Manley, Image 1.

    Roger Manley

    Andalong and Jicarilli, No date

    Gelatin silver print

    11.25 x 16.5 in (28.58 x 41.91 cm)

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About the artist

Reginald Pollack

American

1921-2001

Reginald Pollack first studied art under Moses Soyer at the High School of Music and Art in New York. He served in World War II in the 87th Mountain Infantry, and post-war, Pollack studied the G.I. Bill in Paris and lived there until 1961. He began exhibiting works during the early 1950’s at the Peridot Gallery in New York where he also taught at Cooper Union and Yale University. Later, Pollack settled in Los Angeles in 1963 and exhibited at the Felix Landau and Jefferson Galleries. His works represent heavy influence by Cézanne and Bonnard with themes ranging from portraits to landscapes, as well as metaphysical images. In the early 1960’s, he developed a more efficient method of creating lithographs by utilizing a special plastic base. His works can be found at the Metropolitan Museum of Art, the Stanford University Museum of Art and many other museums.