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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. THE EQUAL AND INALIENABLE RIGHTS OF ALL by Ann Hamilton, Image 1.

    Ann Hamilton

    THE EQUAL AND INALIENABLE RIGHTS OF ALL, 2017

    Blind embossment with hand-applied ink

    35.5 x 25 in (90.17 x 63.5 cm)

  2. Untitled by Hans Peter Adamski, Image 1.

    Hans Peter Adamski

    Untitled, 1993

    Paint and ink

    35.8125 x 27 in (90.96 x 68.58 cm)

  3. Jon Gould by Andy Warhol, Image 2.

    Andy Warhol

    Jon Gould, 1982

    Gelatin silver print

    10 x 8 in (25.4 x 20.32 cm)

  4. Brass Section (Jamming at Minton's), from the "Jazz" series by Romare Bearden, Image 2.

    Romare Bearden

    Brass Section (Jamming at Minton's), from the "Jazz" series, 1979

    Lithograph in colors on paper

    24.75 x 32.5 in (62.87 x 82.55 cm)

  5. Geraniums by Jill Flink, Image 1.

    Jill Flink

    Geraniums, 1976

    Etching on paper

    20 x 17.25 in (50.8 x 43.82 cm)

  6. Card House by Peter Winslow Milton, Image 1.

    Peter Winslow Milton

    Card House, 1975

    Etching on paper

  7. Sand Dust by Herb Jackson, Image 1.

    Herb Jackson

    Sand Dust, 1975

    Lithograph on paper

    11 x 14.75 in (27.94 x 37.47 cm)

  8. Bunch by Thomas McCormick, Image 1.

    Thomas McCormick

    Bunch, 1974

    Charcoal on paper

    33 x 25.5 in (83.82 x 64.77 cm)

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About the artist

Leopold Hugo

American

1863-1933

Leopold Hugo was a German-born American photographer known for his landscapes and nature studies along the coast of California. Working during the Pictorialist movement at the turn of the 20th century, he became particularly recognized for his images of cypress and eucalyptus trees along the Monterey Peninsula. Hugo was born on December 24, 1866, in Breslau, Germany (now Wrocław, Poland). He immigrated to the United States in 1889 and initially settled in Texas. In 1907, the Hugos moved to La Jolla, California, specializing in landscapes and nature studies. His work reflected both straight photography and the soft-focus aesthetic favored by Pictorialist photographers. Hugo reportedly used waxed-paper negatives to enhance the atmospheric effects in his prints. Leopold Hugo died on September 7, 1933, in Belton, Texas, while on a family trip.