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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. We The People by Hank Willis Thomas, Image 1.

    Hank Willis Thomas

    We The People, 2025

    Mixed media, including decommissioned prison uniforms

    78 x 93 in (198.12 x 236.22 cm)

  2. Border Wall near Brownsville (Muro fronterizo cerca de Brownsville), from the portfolio Borders and Belonging by Susan Harbage Page, Image 1.

    Susan Harbage Page

    Border Wall near Brownsville (Muro fronterizo cerca de Brownsville), from the portfolio Borders and Belonging, 2010

    Color inkjet print on cotton rag paper

    17 x 22 in (43.18 x 55.88 cm)

  3. K F Returns by Kyle Field, Image 1.

    Kyle Field

    K F Returns, 2006

    Watercolor on paper

    15.5 x 10.75 in (39.37 x 27.31 cm)

  4. Collaboration: Slab by Jim McCormick, Image 1.

    Jim McCormick

    Collaboration: Slab, 1979

    Lithograph on paper

    16.125 x 11.25 in (40.96 x 28.58 cm)

  5. Navarro Sunset by Carol Summers, Image 1.

    Carol Summers

    Navarro Sunset, c. 1974

    Woodcut on paper

    37.5 x 39 in (95.25 x 99.06 cm)

  6. Flies In The Window, Castletown House, Ireland, from "Alen MacWeeney" portfolio by Alen MacWeeney, Image 1.

    Alen MacWeeney

    Flies In The Window, Castletown House, Ireland, from "Alen MacWeeney" portfolio, 1972

    Gelatin silver print

    10.5 x 15.375 in (26.67 x 39.05 cm)

  7. Brown Field Defined by William Scott, Image 1.

    William Scott

    Brown Field Defined, 1972

    Screenprint on paper

    23 x 31 in (58.42 x 78.74 cm)

  8. #00 Me? Me Me, from "Ding Dong Daddy" series by William Walmsley, Image 1.

    William Walmsley

    #00 Me? Me Me, from "Ding Dong Daddy" series, 1968

    Lithograph on paper

    30 x 22 in (76.2 x 55.88 cm)

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About the artist

Roger Manley

American

b. 1952

American curator, folklorist, filmmaker, and photographer. Manley graduated from Davidson College (1974), then spent two years living in the Australian Outback with Aboriginal people. His photographs include factory workers, Native Americans, prisoners, Palestinians, "outsider" artists, and more. He is a recipient of the NEA Artists Fellowship and the NEH Scholars Fellowship, as well as several other honors. He has authored many books about artists and their environments. In the summer of 2023, Manley retired from the Gregg Museum of Art and Design at North Carolina State University where he served as director for 13 years.