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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Big Bend Panorama in 4 parts (far left) by Libbie J. Masterson, Image 1.

    Libbie J. Masterson

    Big Bend Panorama in 4 parts (far left), 2009

    Archival inkjet print

    16 x 24 in (40.64 x 60.96 cm)

  2. Fall Branding at the Ninety-Six Ranch, Paradise Valley, Nevada by Carl Fleischhauer, Image 1.

    Carl Fleischhauer

    Fall Branding at the Ninety-Six Ranch, Paradise Valley, Nevada, 1979

    Gelatin silver print

    8 x 12 in (20.32 x 30.48 cm)

  3. Unidentified Woman (Red Ruby Earrings) by Andy Warhol, Image 1.

    Andy Warhol

    Unidentified Woman (Red Ruby Earrings), 1979

    Polaroid

    4.25 x 3.375 in (10.8 x 8.57 cm)

  4. Oostburg by William Weege, Image 1.

    William Weege

    Oostburg, 1979

    Handmade paper

    14.875 x 21.375 in (37.78 x 54.29 cm)

  5. Lo Scratches Her Knee by Graham Ovenden, Image 1.

    Graham Ovenden

    Lo Scratches Her Knee, 1975

    Etching on paper

    26 x 25.875 in (66.04 x 65.72 cm)

  6. White Predominates by William Scott, Image 1.

    William Scott

    White Predominates, 1972

    Screenprint on paper

    23 x 30.625 in (58.42 x 77.79 cm)

  7. In The Studio by John Edward Heliker, Image 1.

    John Edward Heliker

    In The Studio, 1960

    Lithograph on paper

    13.25 x 9.625 in (33.66 x 24.45 cm)

  8. Diana Dors by Philippe Halsman, Image 1.

    Philippe Halsman

    Diana Dors, 1956

    Gelatin silver print

    13.875 x 10.875 in (35.24 x 27.62 cm)

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About the artist

Bernard Childs

American

1910-1985

American printmaker and painter. Childs was born in Brooklyn, NY, and worked for a significant amount of time in both New York and Paris. He pioneered the markmaking technique of engraving metal plates with power tools. His prints are characterized by layer of violent, chaotic marks and often feautres moments of symbolism. Childs simultaneously worked in the contrasting style of figuration and portrait painting. Childs' formal interests in both realms of his work were line and space, light and color, and the dialogue of contrasting elements.