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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. Trumpet by Joyce Tenneson, Image 2.

    Joyce Tenneson

    Trumpet, 2020

    Archival pigment print

    22 x 17 in (55.88 x 43.18 cm)

  2. Three toothbrushes and glove (Tres cepillos dentales y un guante), from the portfolio Borders and... by Susan Harbage Page, Image 1.

    Susan Harbage Page

    Three toothbrushes and glove (Tres cepillos dentales y un guante), from the portfolio Borders and..., 2014

    Color inkjet print on cotton rag paper

    17 x 22 in (43.18 x 55.88 cm)

  3. Border Fence with migrant footprints crossing the road (Muro fronterizo con pisadas de migrantes ... by Susan Harbage Page, Image 1.

    Susan Harbage Page

    Border Fence with migrant footprints crossing the road (Muro fronterizo con pisadas de migrantes ..., 2010

    Color inkjet print on cotton rag paper

    17 x 22 in (43.18 x 55.88 cm)

  4. Midnight Roses by Ibsen Espada, Image 1.

    Ibsen Espada

    Midnight Roses, 1995

    Acrylic on canvas

    45.5 x 38.5 in (115.57 x 97.79 cm)

  5. Vincent Attends "Homage to Van Gogh" Exhibit at Moma by Greg Constantine, Image 1.

    Greg Constantine

    Vincent Attends "Homage to Van Gogh" Exhibit at Moma, 1982

    Lithograph on paper

    15.25 x 22.75 in (38.74 x 57.79 cm)

  6. Untitled by Doug Warner, Image 1.

    Doug Warner

    Untitled, 1978

    Lithograph on paper

    15 x 15 in (38.1 x 38.1 cm)

  7. Self-Portrait (Final Stage) by Douglas Houchens, Image 1.

    Douglas Houchens

    Self-Portrait (Final Stage), c. 1958

    Lithograph on paper

    18.75 x 13.25 in (47.63 x 33.66 cm)

  8. Scroll by Unknown, Image 4.

    Unknown

    Scroll, No date

    Ink on paper and textiles with wood

    14 x 140 in (35.56 x 355.6 cm)

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About the artist

John Edward Heliker

American

1909-2000

American painter. Based in New York. Inspired by European paintings, working in landscapes as well as portraits. He studied and worked with many notable contemporaries such Merce Cunningham, John Cage, and Kenneth Hayes Miller. In 1951, he received a Guggenheim Fellowship to paint in Italy, a working experience during which his works moved towards abstraction. He had accomplished many solo exhibitions in New York and at the Kraushaar Galleries, and he was a professor of art at Columbia University for 27 years.