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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. The Hand by Georg Baselitz, Image 1.

    Georg Baselitz

    The Hand, 2007

    Woodcut on paper

    40.5 x 25.25 in (102.87 x 64.14 cm)

  2. The Sunflowers Quilting Bee at Arles by Faith Ringgold, Image 1.

    Faith Ringgold

    The Sunflowers Quilting Bee at Arles, 1997

    Silkscreen on paper

    33.75 x 35 in (85.73 x 88.9 cm)

  3. P.O.W. by Adrian Van Suchtelen, Image 1.

    Adrian Van Suchtelen

    P.O.W., 1982

    Etching on paper

    12.625 x 12.75 in (32.07 x 32.39 cm)

  4. Relic by Robert Ecker, Image 2.

    Robert Ecker

    Relic, 1978

    Mezzotint on paper

    7 x 5 in (17.78 x 12.7 cm)

  5. Miss Willie by Brooke Cameron, Image 1.

    Brooke Cameron

    Miss Willie, 1977

    Etching on paper

    23.75 x 20 in (60.33 x 50.8 cm)

  6. Dante, I Had Not Known That Death Had Undone So Many by Tom Phillips, Image 1.

    Tom Phillips

    Dante, I Had Not Known That Death Had Undone So Many, c. 1975

    Etching on paper

    25.5 x 19.5 in (64.77 x 49.53 cm)

  7. Divided Counterchange by William Scott, Image 1.

    William Scott

    Divided Counterchange, 1972

    Screenprint on paper

    22.125 x 30.5 in (56.2 x 77.47 cm)

  8. Bathroom Mirror by Patrick Caulfield, Image 1.

    Patrick Caulfield

    Bathroom Mirror, 1968

    Screenprint on paper

    27.875 x 35.625 in (70.8 x 90.49 cm)

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About the artist

Maud Morgan

American

1903-1999

American collage artist, painter, and printmaker. Morgan grew up in New York City and attended Barnard College and then the Sorbonne in Paris. She travelled around the world and eventually met her husband Patrick Morgan, a contemporary artist, in Paris, who encouraged her to paint. She moved to Boston and taught at Abbot Academy. Morgan’s work did not conform to “notions of female art,” and as she moved away from New York, she lost visibility. She was known as Boston’s Modernist Doyenne.