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Additional Artworks

From Van Every/Smith Galleries at Davidson College

  1. The Hand by Georg Baselitz, Image 1.

    Georg Baselitz

    The Hand, 2007

    Woodcut on paper

    40.5 x 25.25 in (102.87 x 64.14 cm)

  2. The Sunflowers Quilting Bee at Arles by Faith Ringgold, Image 1.

    Faith Ringgold

    The Sunflowers Quilting Bee at Arles, 1997

    Silkscreen on paper

    33.75 x 35 in (85.73 x 88.9 cm)

  3. P.O.W. by Adrian Van Suchtelen, Image 1.

    Adrian Van Suchtelen

    P.O.W., 1982

    Etching on paper

    12.625 x 12.75 in (32.07 x 32.39 cm)

  4. Miss Willie by Brooke Cameron, Image 1.

    Brooke Cameron

    Miss Willie, 1977

    Etching on paper

    23.75 x 20 in (60.33 x 50.8 cm)

  5. Dante, I Had Not Known That Death Had Undone So Many by Tom Phillips, Image 1.

    Tom Phillips

    Dante, I Had Not Known That Death Had Undone So Many, c. 1975

    Etching on paper

    25.5 x 19.5 in (64.77 x 49.53 cm)

  6. Dancers by Nicholas Monro, Image 1.

    Nicholas Monro

    Dancers, 1970

    Screenprint on paper

    40 x 27.5 in (101.6 x 69.85 cm)

  7. C Brown by William Tucker, Image 1.

    William Tucker

    C Brown, 1969

    Screenprint on board mounted to board

    38.375 x 29.875 in (97.47 x 75.88 cm)

  8. S VIII by Maud Morgan, Image 1.

    Maud Morgan

    S VIII, 1969

    Screenprint on paper

    18 x 22 in (45.72 x 55.88 cm)

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About the artist

William Scott

British

1913-1989

British painter. Known for his non-objective works that explore the space between abstraction and figuration due to his interest in themes of still-life, landscape and the female nude. Attended the Belfast School of Art before painting at the Royal Academy Schools. Exhibited at the Paris Salon d’Automne, 1938. Joined the army in July 1942 with the Royal Army Ordnance Corps and then as a lithographic draughtsman with the Royal Engineers. Taught at the Bath Academy of Art as Senior Painting Master before painting full-time from 1956 onward. Represented Great Britain at the 1958 Venice Biennale and at the 1961 São Paulo Bienal where he won the Sanbra (International Critics) Purchase Prize, amongst others.